But for now, I figured that I could do at least one more
month since February will be a 31 Days of
Oscar presentation and I can usually skate through that…but more
importantly, “the biggest mother of them all” will be TCM’s Star of the Month
in the first month of the new year—none other than Joan Crawford
herownself. Sixty-two of Crawford’s
movies are on tap for this one, which will take place Thursday nights starting
at 8pm and pretty much running for 24 hours each time (save the last day of the
month)…so if there are any gaps in your La Joan collection, this would be an
opportune time to fire up the TiVo. Take
a look at what’s in store:
January 2, Thursday
08:00pm The Unknown (1927)
09:00pm Our Dancing
Daughters (1928)
10:30pm Our Modern
Maidens (1929)
12:00am Our Blushing
Brides (1930)
01:45am Lady of the
Night (1924)
03:00am The Boob
(1926)
04:15am Spring Fever
(1927)
05:45am Across to
Singapore (1928)
January 3, Friday
07:15am West Point
(1928)
09:00am The Hollywood
Revue (1929)
11:00am Untamed
(1929)
12:30pm Montana Moon
(1930)
02:00pm Paid
(1930)
03:30pm Dance, Fools,
Dance (1931)
05:00pm Laughing
Sinners (1931)
06:15pm Possessed
(1931)
January 9, Thursday
08:00pm Grand Hotel
(1932)
10:00pm Rain
(1932)
11:45pm Dancing Lady
(1933)
01:30am Forsaking All
Others (1934)
03:00am This Modern
Age (1931)
04:30am Today We Live
(1933)
January 10, Friday
06:30am Chained (1934)
08:00am Sadie McKee
(1934)
09:45am I Live My
Life (1935)
11:30am No More
Ladies (1935)
01:00pm The Gorgeous
Hussy (1936)
03:00pm Love On the
Run (1936)
04:30pm The Bride
Wore Red (1937)
06:15pm The Last of
Mrs. Cheyney (1937)
January 16, Thursday
08:00pm The Women
(1939)
10:30pm When Ladies
Meet (1941)
12:30am A Woman's
Face (1941)
02:30am They All
Kissed the Bride (1942)
04:15am Mannequin
(1937)
January 17, Friday
06:00am The Shining
Hour (1938)
07:30am The Ice
Follies of 1939 (1939)
09:15am Strange Cargo
(1940)
11:15am Susan and God
(1940)
01:30pm Reunion in
France (1942)
03:30pm Above
Suspicion (1943)
05:15pm Hollywood
Canteen (1944)
January 23, Thursday
08:00pm Mildred
Pierce (1945)
10:00pm Humoresque
(1946)
12:15am Flamingo Road
(1949)
02:00am The Damned
Don't Cry (1950)
03:45am Possessed
(1947)
05:45am It's a Great
Feeling (1949)
January 24, Friday
07:15am Harriet Craig
(1950)
09:00am Goodbye, My
Fancy (1951)
11:00am This Woman Is
Dangerous (1952)
12:45pm Torch Song
(1953)
02:30pm Queen Bee
(1955)
04:15pm Autumn Leaves
(1956)
06:15pm The Story of
Esther Costello (1957)
January 30, Thursday
08:00pm The Best of
Everything (1959)
10:15pm What Ever
Happened to Baby Jane? (1962)
12:45am Della
(1964)
02:00am Trog
(1970)
03:45am The Karate
Killers (1967)
05:30am The
Caretakers (1963)
January 31, Friday
07:30am Berserk!
(1967)
Friday nights on TCM, the focus will be on Science in the Movies. (Science!)
This
piece on the TCM website will give you a little more information on the Friday Night Spotlight theme; but it
promises, as the press release trumpets: “a lineup of movies that delve into
issues of scientific discovery, exploration and alteration, with some side
trips into science fiction.”
January 3, Friday
08:00pm Madame Curie
(1943)
10:15pm A Beautiful
Mind (2001)
12:45am For All
Mankind (1989)
02:15am Countdown
(1968)
04:15am Marooned
(1969)
January 10, Friday
08:00pm Bride of
Frankenstein (1935)
09:30pm Dr. Jekyll
and Mr. Hyde (1941)
11:30pm The Thing
From Another World (1951; also January 4 @6:30pm)
01:15am Forbidden
Planet (1956)
03:00am Solaris
(1972)
January 17, Friday
08:00pm The Spirit of
St. Louis (1957)
10:30pm Gallant
Journey (1946)
12:00am Silkwood (1983)
02:15am The Beginning
or the End (1947)
04:15am These Are the
Damned (1962)
January 24, Friday
08:00pm Edison, the
Man (1940)
10:00pm The Magic Box
(1951)
12:00am It Happens
Every Spring (1949)
01:45am The Man in
the White Suit (1951)
03:15am Bye Bye
Birdie (1963)
January 31, Friday
08:00pm First Men in
the Moon (1964)
10:00pm The Time
Machine (1960)
12:00am The Story of
Louis Pasteur (1936)
01:45am Dr. Ehrlich's
Magic Bullet (1940)
03:45am Charly
(1968)
So much for the E-ticket items on the channel’s
schedule—let’s take a look at some other delights that will be set before us in
the month of January:
January 1, Wednesday – The primetime theme is “Lost Worlds”—and
in keeping with this premise, TCM will show the 1960 movie version of Sir
Arthur Conan Doyle’s famed novel at 10:15pm.
(I prefer the 1925 version, which is kind of a King Kong blueprint…but it really won’t matter much in the long run
because I probably won’t see either of them.)
Before World, it’s the
underrated sci-fi classic Journey to the
Center of the Earth (1959) at 8pm, and then following World you’ll have TDOY
fave The Valley of Gwangi (1969;
12mid), She (1965; 2am) and The Lost Continent (1968; 4am).
January 2, Thursday – Several days on the channel’s schedule
feature a fistful of pre-Code films…and this is one of them. It’s The
Ship from Shanghai (1929) at 6:30am, followed by Call of the Flesh (1930; 7:45am), The Great Meadow (1931; 9:30am), Sporting Blood (1931; 11am), New
Morals for Old (1932; 12:30pm), Washington
Masquerade (1932; 2pm), Day Of
Reckoning (1933; 3:30pm), The Secret
of Madame Blanche (1933; 4:45pm)
and Stage Mother (1933; 6:15pm).
January 4, Saturday – TCM finishes up MGM’s Maisie series with the final film
starring Ann Sothern as the brassy showgirl with the heart of gold; it’s Undercover Maisie (1947) at
10:30am. The following Saturdays in
January—at the same time of 10:30am—the channel starts with the popular
Hildegarde Withers series, and it’s fortunate that those three Saturdays will
highlight the best entries with Edna May Oliver and James Gleason: Penguin Pool Murder (January 11), Murder on the Blackboard (January 18)
and Murder on a Honeymoon (January
25).
The primetime schedule kicks off with the first edition of TCM
Essentials for the new year; Uncle Bobby Osbo and his faithful Indian
companion Drew Barrymore introduce The
Bad and the Beautiful (1952) at 8pm.
Design for Scandal (1941)
follows at 10:15pm and then That Forsyte
Woman (1949) at midnight, continuing the evening’s Walter Pidgeon theme.
January 5, Sunday – How
to Marry a Millionaire (1953; 8pm) and Moon
Over Miami (1941; 10pm) comprise the primetime lineup…and if you’re a Betty
Grable fan, that’s good news for you. I,
on the other hand, will be looking forward to TCM’s Silent Sunday Nights for
the next two weeks when the spotlight will be on the comedic output of the
great Roscoe “Fatty” Arbuckle. January 5
at midnight, the following shorts will be shown: The Knockout (1914), A
Flirt’s Mistake (1914), Fatty Joins
the Force (1913), Leading Lizzie
Astray (1914), Fatty and Mabel’s
Simple Life (1915), Fatty’s Chance
Acquaintance (1915) and Fatty and
Mabel at the San Diego Exposition (1915).
The following week (January 12) it’s Fatty’s New Role (1915), Mabel
and Fatty’s Wash Day (1915), Mabel
and Fatty’s Married Life (1915), Fatty’s
Faithful Fido (1915), Fatty’s Plucky
Pup (1915) and Fatty’s Tintype
Tangle (1915).
January 6, Monday – The daylight hours feature a number of
first-rate films noir…and though it’s getting to be an annoying habit, I will
remind you that The Reckless Moment
(1949) is on the schedule again at 4:30pm; you should see it if you haven’t
done so (I may plan a pop quiz later).
No, the real emphasis on the schedule will be TCM’s oracle,
Robert Osborne; it’s a night of his “picks,” which will comprise The Third Man (1949; 9:30pm), Libeled Lady (1936; 1am), Love Letters (1945; 3am) and The Band Wagon (1953; 5am). But also on the schedule are two editions of Private
Screenings (at 8pm and an 11:30pm encore)…and according to the
schedule, the person in that spotlight will be (drum roll) Robert Osborne! What I’m dying to know is…does he interview himself or does someone else step into
the interviewer’s shoes? Okay, I’m just
kidding; I know the answer to that one—former TCM Essentials toothache Alec
Baldwin will do the honors. (I just hope
he doesn’t call Osborne a “toxic little queen”—‘cause I think Bob could clean
his clock.) And this thing is ninety minutes long…but I suppose that
makes sense, because you have to factor in additional time for Baldwin’s ego.
January 7, Tuesday – Here’s something a little more interesting that it being all about Osborne; TCM will commemorate the 90th anniversary of Columbia Pictures with a 24-hour salute to some of the studio’s best films. (It’s not listed on the schedule now but the tentative lineup originally had Charley Chase’s classic 1940 two-reel comedy The Heckler scheduled for 9am—sad to see it yanked.)
07:00am Lady for a
Day (1933)
08:45am It Happened
One Night (1934)
10:30am The Whole
Town's Talking (1935)
12:15pm His Girl
Friday (1940)
02:00pm Cover Girl
(1944)
04:00pm Gilda
(1946)
06:00pm From Here to
Eternity (1953)
08:00pm On the
Waterfront (1954)
10:00pm The Way We
Were (1973)
12:15am Gandhi (1982)
03:45am The Remains
of the Day (1993)
January 8, Wednesday – Yes, it’s that time of year again…when
we break out the decorations and the tree to celebrate the birthday of the King
of Rock ‘n’ Roll. No one is more pleased
than I to see that my favorite Elvis Presley guilty pleasure, Tickle Me (1965), is on the schedule at
12:45pm. (Hey—an Elvis movie written by
Bowery Boys scribes Ed Bernds and Elwood Ullman, plus a climax later ripped off
by the Scooby Doo people…tell me what’s not to like?) The other “King” flicks are Stay Away, Joe (1968; 6am), Live a Little, Love a Little (1968;
7:45am), Double Trouble (1967;
9:15am), Spinout (1966; 11am), Girl Happy (1965; 2:30pm), Kissin’ Cousins (1964; 4:15pm) and It Happened at the World's Fair (1963;
6pm). (Nice to see they gravitated
toward El’s “I-made-these-for-the-money” oeuvre this year.)
Come primetime—a salute to “the poor man’s John Garfield” as
an evening of films starring Dane Clark unfurls with Gunman in the Streets (1950) at 8pm. That’s followed by Embraceable You (1947; 9:45pm), That Way with Women (1947; 11:15pm), Outlaw’s Son (1957; 1am), Whiplash
(1948; 2:45am) and Backfire (1950;
4:30am)—this last one I just recently acquired after receiving a replacement Film
Noir Classics: Volume 5 set that someone decided to help themselves to
during Christmas (by surgically removing it from its envelope with a x-acto
knife).
January 9, Thursday – A couple of oddities that might be of
interest to comedy fans like myself: at 7:45am, the channel will show Everything’s Rosie (1931)—a romantic
romp that stars Robert Woolsey of the Wheeler & Woolsey team sans his
partner. (I’ve not seen this one;
Internets legend F. Gwynplaine “I’ve seen them all!” MacIntyre jibes that it’s
a little too close to W.C. Fields’ Poppy
but I will try to keep an open mind.) At
4:45pm, the Ritz Brothers (the bête noir of author James Neibaur, whose book on
the Elvis films will be released in April) star in The Gorilla (1939)—a guilty pleasure of mine because any movie with
Patsy Kelly, Lionel Atwill and Bela Lugosi cannot be completely terrible. (Besides, Jim admits to being a fan of Brown
and Carney…’nuff said.)
January 11, Saturday – If by some chance you missed It Happened One Night (1934) on Tuesday
(perhaps you were at work?) you can catch it again at 8pm on The
Essentials as Osbo and Drewbo feature it along with Lady for a Day (1933; 12:15am), which
was also in the Columbia 90th anniversary spotlight. In between the two films is Arsenic and Old Lace (1944) (a Frank
Capra tribute, as you’ve no doubt guessed by now) at 10pm—a film that has quite
a great deal of love among classic film fans despite the fact that the chief
asset of the stage play is not in the
movie. (Boris Karloff, as you’ve no
doubt guessed by now.)
Originally when Laura at Miscellaneous Musings sent me the
addy to the channel’s tentative schedule many moons ago, I was really pumped
because I saw where the 1976 cult classic Massacre
at Central High was going to be featured on TCM Underground. Well, that apparently was yanked and was
substituted with the Blaxploitation classics Black Caesar (1972) and Hell
Up in Harlem (1973)…and now they’ve called another audible and settled on The
Flesh Merchant (1956; 2am—a.k.a. The
Wild and the Wicked), Chained for
Life (1951; 3am) and Child Bride
(1938; 4:15am). (Suffice it to say, I’m
bummed.)
January 12, Sunday – In the primetime spotlight: the two films
that won Ingrid Bergman two Best Actress Oscar statuettes—Anastasia (1956) at 8pm, followed by Gaslight (1944) at 10. And
after the Arbuckle shorts on Silent Sunday Nights, a pair of
foreign film classics in Cleo from 5 to
7 (1962; 2am) and My Life to Live
(1962; 3:45am).
January 13, Monday/January 14, Tuesday – On January 18,
SAG-AFTRA will present their fiftieth Lifetime Achievement Award to the
incomparable Rita Moreno, and to commemorate the occasion TCM will feature an
evening of Rita’s movies on Tuesday: Popi
(1969; 8pm), Marlowe (1969; 10pm), Cry of Battle (1963; 12mid) and Carnal Knowledge (1971; 2am). On the preceding Monday night, past Lifetime
Achievement Award winners get their due when the following movies unfurl: Strike Me Pink (1936; 8pm—Eddie
Cantor), Guys and Dolls (1955;
10pm—Frank Sinatra), Sunrise at
Campobello (1960; 12:45am—Ralph Bellamy), Battleground (1949; 3:15am—Ricardo Montalban) and Baby Doll (1956; 5:30am—Karl Malden).
January 15, Wednesday – I’m really dreading this day because
the former child star referred to as She Who Must Not Be Named on the
blog (I dare not speak her name for fear of summoning forth a powerful demon)
turns 77. It’s not so much her movies
that chill my marrow; I can avoid the lineup of Little Women (1949; 6:15am), Glory
(1956; 10:15am), Bad Bascomb (1946;
12noon), Music for Millions (1944;
2pm), The Canterville Ghost (1944;
4pm) and Our Vines Have Tender Grapes
(1945; 6pm) that day. But I’ll probably
have to write something nice about her for the ClassicFlix Facebook/Twitter
posts, and I will demand hazard pay.
In the evening hours, the theme is The Long Arm of the
Law—with my favorite Jean Arthur film, The
Talk of the Town (1942) getting things started at 8pm, then The Paper Chase (1973; 10:15pm), Philadelphia (1993; 12:15am), 12 Angry Men (1957; 2:30am) and State’s Attorney (1932; 4:15am)
January 16, Thursday – The original salute to “Women of the
West” featured my favorite Joan Crawford film, Johnny Guitar (1954)…but that also got yanked from the schedule
(boo hiss) and now it’s Annie Get Your
Gun (1950) at 6am, followed by Blood
on the Moon (1948; 8am), Gypsy Colt
(1954; 9:30am), Wine, Women and Horses
(1937; 10:45am), The Story of Seabiscuit
(1949; 12noon), Pride of the Bluegrass (1939;
1:45pm), Annie Oakley (1935; 3pm), Montana Belle (1952; 4:30pm) and Westward the Women (1951; 6pm).
January 18, Saturday – It promises to be a big night for my
BBFF Stacia, because Tallulah Bankhead is
in the primetime spotlight with a TCM Essentials scheduling of Lifeboat (1944) at 8pm and Faithless (1932) following at 10. But the real fun starts with the delightfully
demented Die! Die! My Darling!
(1965) at 11:30pm; I saw this movie when I was a lot younger and I have a
feeling it might have done a lot to warp me at that impressionable age.
The all-time Stacia fave Skidoo (1969) is in the lead-off slot on TCM Underground at 2am,
and coupled with that is The Big Cube
(1969; 3:45am), which earned quite a few rave reviews on Facebook recently…if
one defines “rave” as “What the…front yard?”
I kind of like the concept of a small subversive corner of Turner
Classic Movies…I only wish they’d follow through with that Central High thing.
January 19, Sunday – Towards the end of her film career,
Rosalind Russell needed to put groceries on the table and so she agreed to play
a Mother Superior in two films that will be shown in primetime as part of the
channel’s “Creatures of Habit” tribute.
(I swear that joke is not mine.) It’s
Roz and Hayley Mills in The Trouble with
Angels (1966) at 8pm, then Stella Stevens takes over as the bane of Roz’s
existence in Where Angels Go…Trouble
Follows! (1968) at 10. (Okay, Binnie
Barnes is also in both of them—not necessarily a bad thing.) On the bright side, TCM will show the Wim
Wenders-directed classic Wings of Desire
(1987) at 2am.
January 20, Monday – To commemorate the Martin Luther King, Jr.
holiday, the channel schedules a daylong festival of films spotlighting
African-American actors and directors: The
Joe Louis Story (1953; 6am), The
Jackie Robinson Story (1950; 7:30am), The
Learning Tree (1969; 9am), Intruder
in the Dust (1949; 11am), Sergeant
Rutledge (1960; 12:30pm), Duel at
Diablo (1966; 2:30pm), Lilies of the
Field (1963; 4:15pm) and In the Heat
of the Night (1967; 6pm). Come
nightfall, the cinematic oeuvre of singer-activist Harry Belafonte is on
display with Bright Road (1953;
8pm), The World, the Flesh, and the
Devil (1959; 9:15pm), Buck and the
Preacher (1972; 11pm), Odds Against
Tomorrow (1959; 1am) and The Angel
Levine (1970; 3am).
January 21, Tuesday – Arthur Ripley’s critically acclaimed Voice in the Wind (1944; a.k.a. Strange Music) gets an airing at
11:15am today, and I’m really going to have to catch this rarity. It will brace me for this evening’s guest
programmer—who is none other than “Judge” Judy Sheindlin. (That noise?
Oh, it’s just the sound of my eyes rolling back in my head. Honestly, I can see why they ran that
Ultimate Fan Contest—they’ve run out of people to host.) Her Honor has chosen The Goodbye Girl (1977; 8pm), Elmer
Gantry (1960; 10pm) and The Good
Earth (1937; 12:30am) as the movies she will run…while I, on the other
hand, will elect to turn the TV off at 8 in a defiant blow for good taste.
January 22, Wednesday – The woman whom I knew growing up as
Josephine the Plumber in the Comet TV commercials will be in the primetime
spotlight this evening—she’s Jane Withers, the popular child star in the 1930s
and 1940s who could drink Shirley Temple’s milkshake any day of the week. (I’ll just wait for Page’s response in the
comments.) Jane and Shirl appear in Bright Eyes (1934), the movie that kicks
off the festivities at 8pm, and then it’s all Jane in Paddy O'Day (1935; 9:30pm), High
School (1940; 11pm), The North Star
(1943; 12:30am) and Giant (1956;
2:30am—I always forget she’s in this movie!).
January 23, Thursday – A
Soldier’s Plaything (1930) is on today at 12:15pm—it’s the first talking
feature to star silent comedy great Harry Langdon (also available from the
Warner Archive), and while I am curious to check it out a number of my Facebook
film friends were not effusive in their praise for the movie…and these people
are Langdon fans. More details as this
story breaks.
January 25, Saturday – I don’t have to tell you how much of a
kick mi madre has been getting out of seeing “the fish movie”—a.k.a. Jaws (1975) on the channel of late;
she’ll get to see it again when it’s featured on The Essentials as part of
a “70’s Thrills” theme that begins at 8pm.
Following Jaws is a movie
that scared the snot out of me when I first saw it (and I’m glad it was on cable,
where I had access to a change of underwear), Alien (1979; 10:15pm)…and then another HBO goodie (I lost count how
many times I watched this one…and to this day I’ll defend George Segal’s
performance as outclassing the final product), Rollercoaster (1977) at 12:15am.
The evening concludes with a TCM Underground “infant” double
feature: The Baby (1973) at 2:30am,
then Spider Baby (1964) at
4:30. (Yowsah!)
January 26, Sunday – The primetime schedule features a “Ford
and Fonda” double feature in Young Mr.
Lincoln (1939) at 8pm and Drums
Along the Mohawk (1939) at 10.
(Check out this
splendid essay on Drums from
Aubyn Eli, a.k.a. The
Girl with the White Parasol at ClassicFlix when you get a chance.) On Silent Sunday Nights, one of Harold
Lloyd’s most popular film comedies begins at midnight: Speedy (1928).
January 27, Monday – You’ve heard me mention radio’s Lum
& Abner (Chester Lauck and Norris Goff) on the blog on occasion—the
channel is going to show two of the feature films that the comic duo did for
independent movie producer Jack Votion today, beginning with The Bashful Bachelor (1942) at
6am. I really enjoy this one of the two
being offered; Lauck and Goff contributed the story, and it features a grand
performance from TDOY fave ZaSu Pitts
and bulls-eye comic relief from Grady Sutton as Cedric Weehunt. (And the actress who plays “Agatha Abernathy”
is none other than Marni Nixon!) Two Weeks to Live (1943) will run at
10:30am and while it has a funny moment or two I wouldn’t compare it to the
charming Bachelor. (Franklin Pangborn has a funny contribution,
and you’ll spot favorites like Charles Middleton and Tim Ryan, too.)
January 28, Tuesday – The director credited with “The Lubitsch
Touch” celebrates what would have been his 121st birthday today…and the great
thing about the Ernst Lubitsch tribute is that they’ll feature two of his
silent films in the daytime hours: The
Loves of Pharaoh (1922) at 6:45am and The
Student Prince in Old Heidelberg (1927) at 8:30. After that, it’s The Merry Widow (1934; 10:30am), Ninotchka (1939; 12:15pm), The
Shop Around the Corner (1940; 2:15pm), That
Uncertain Feeling (1941; 4pm) and my all-time favorite, To Be or Not to Be (1942; 5:30pm).
Come nightfall, actor Michael Caine “gets a dinner” with an
evening devoted to some of his movies: Gambit
(1966; 8pm), Get Carter (1971;
10pm), Pulp (1972; 12mid), X, Y & Zee (1972; 2am) and The Wrong Box (1966; 4am).
January 29, Wednesday – In a preview of what you’ll see on
Oscar night…oh, wait—they don’t hand out these awards at the Oscars anymore, do
they? Well, Angela Lansbury, Steve
Martin and Piero Tosi all received Honorary Awards at the 5th Annual Governor
Awards this past November 16th…and for unexplained reasons, the channel is just
now getting around to handing out some recognition in their primetime lineup
this evening. Lansbury, of course, plays
the silver screen’s most diabolical mom in The
Manchurian Candidate (1962), which will air at 8pm…and a second Lansbury
vehicle from her MGM days, The Harvey
Girls (1946), follows at 10:15pm. A
pair of Steve Martin films, Pennies from
Heaven (1981; 12:15am) and Father of
the Bride (1991; 2:15am) follow, and the evening is wrapped up with I Compagni (1964; 4:15am) and La Notti Bianche (1957; 6:30am), two
movies featuring the costume design of Piero Tosi. (As for Angelina Jolie—the winner of the Jean
Hersholt Humanitarian Award…well, TCM’s audience may not be ready for a showing
of Lookin’ to Get Out.)
January 30, Thursday – We’ll close out the month by
spotlighting two sets of goodies airing in the daytime hours; first, a slew of
films featuring S.S. Van Dine’s famed literary sleuth Philo Vance (sadly,
1939’s The Gracie Allen Murder Case
is not among them)—The Bishop Murder
Case (1930; 8:15am), The Kennel
Murder Case (1933; 9:45am), The
Dragon Murder Case (1934; 11am), The
Casino Murder Case (1935; 12:15pm), The
Garden Murder Case (1936; 1:45pm) and Calling
Philo Vance (1939; 3pm). And for
those of you who “love a mystery,” the three Columbia programmers based on
Carlton E. Morse’s legendary radio show are scheduled: I Love a Mystery (1945; 4:15pm), The Devil's Mask (1946; 5:30pm) and The Unknown (1946; 6:45pm).
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