Saturday, November 24, 2012

Adventures of Sir Galahad – Chapter 13: The Wizard’s Vengeance


OUR STORY SO FAR: Apprentice ka-niggit Galahad (George Reeves) has been waging a virtual one-man battle against the forces of evildom for the past twelve weeks here on Serial Saturdays in his endless quest to recover Excalibur, the sacredly invisible sword belonging to Arthur, King of the Britons (Nelson Leigh).  Gallie lost Excalibur during the ka-niggithood initiation, which required him to spend a night in the Sword Room guarding the weapon.  A little Sominex slipped into his wine soon allowed a mysterious personage known as The Black Knight (voiced by Paul Frees) to make off with the sword, and Excalibur fell into his hands of Saxon king Ulrich (John Merton), who has plans to replace Arthur with a better-looking monarch…namely himself.

But because of this serial’s indeterminable length, complications have arisen.  Ulric’s chamberlain, the perfidious Bartog (Don C. Harvey), has switched allegiance from his king to The Black Knight in his determination to dethrone Arthur…even to the point of allying himself with a band of rebels headed up by the outlaw Cawker (Pierce Lyden).  Last week, Cawker, Bartog and The Black Knight put the snatch on Queen Guinevere (Marjorie Stapp) and her entourage…and when Galahad and his comic relief sidekick Sir Bors (Charles King) relay this news to Arthur, the king goes out after Guinevere with a rescue party, leaving our heroes at the mercy of Sir Modred (Leonard Penn)—suspected by Galahad to be in actuality The Black Knight.  Black Knight or no, Modred is certainly in the running for the chapter play’s Wanker Award since he’s about to crush Gal with a gi-normous spiked iron ball…


…but Modred makes that one fatal mistake so common to movie villains—he has failed to reckon with Bors, whom he left behind in Arthur’s assembly room after Borsie promised to play nice.  It takes but mere seconds for Bors to free his pal Galahad…


…who, in this amusing screen capture, hadn’t completely freed himself from the table to which he was tied, so Reeves’ stuntman winds up getting a few boo-boo’s.  Having temporarily dispatched their captors, Galahad and Bors shut the door to the Spiked Iron Ball Room behind them, and make tracks for the entrance to the dungeon’s secret passageway.


Modred and the Captain of the Guard (Al Ferguson) eventually end up busting down the door, and take off after our heroes.  But when they reach the secret entrance, Modred suddenly has an idea: “We may be able to trap them in the passage…you go to the entrance in the sword room…send guards to the exit beyond the walls.”

Okay, there’s kind of a problem here.  In Chapter 1, when it’s discovered that Excalibur has vanished and Galahad is being set up to take the fall, Galahad’s explanation of seeing a mysterious knight disappearing “through yonder wall” is dismissed as “silly pap.”  But by this time in the serial, apparently everyone, including the guards, has been clued into this passageway stuff.  Except the guy who owns the place, King Arthur.  They had tighter security during the Lee Harvey Oswald transfer.

Well, let’s get back to the story.  Inside the passageway, Galahad wonders out loud what’s keeping Modred and his goons.

GALAHAD: There’s no one following us, Sir Bors…why?
BORS: So much the better…let’s hasten out of here so we can join Arthur and search for the Queen…
GALAHAD: I still can’t prove that Modred’s The Black Knight…but his eagerness to get me out of the way proves he’s no friend…
BORS: Well, let’s be moving…before they seal the exit…

Maybe you two should have thought about that before ruminating on why Modred is such a tool.  Because guards are soon posted in the Sword Room…


…and a pair of bowmen enters the passageway from the outside wall.  “This game is not to my liking,” observes Bors.  “Where to now?”

“Back to the dungeon,” advises Galahad.  “Maybe they won’t look for us there.”

Bzzzt!  Wrong answer, hero boy.  Modred and the Captain of the Guard have already entered the passageway the same way you did, and you and the fat guy are trapped like rodential sewer dwellers.

GALAHAD: Well…where do we go now?
BORS: I’m trying to remember something about this place…
GALAHAD: Oh, fine…this is a great time to lose your memory…

“Um…do you remember that guy who kept you from being crushed by the big spiked iron ball?  You do?  Then here…have a piece of STFU gum.”  No, the writers of this serial have to resort to a bit of laziness because just as if it looks like Galahad and Bors are going to die from painful arrow wounds (though there is an amusing bit in which the bowmen accidentally start shooting at Modred), Bors remembers that there’s a fourth way out of the passageway.  And that’s how he and Galahad escape.

Outside, Galahad and Bors are at the walls of Camelot when they observe Bartog riding in like he owned the jernt.  “You’d think Bartog was an honored guest, the free way he rides in,” cracks Bors.


“Perhaps he is,” Galahad replies, because by now the two of them can see that The Black Knight has exited the entrance of Camelot to shake hands with his friend.

BORS: The Black Knight at Camelot!  Now we must find Arthur!
GALAHAD: There’s one thing more important to Arthur than his palace or his sword…Guinevere, his Queen…and Bartog knows where she is…
BORS: But we can’t storm the palace and wring the words out of him…
GALAHAD: We can follow when he leaves… (As Bartog and B.K. go inside) We can reach the horses all right…but to manage that main gate…I don’t think that gateman will be as blind to us as he was to Bartog…
BORS (pulling a small pouch from his belt): I have something here that will film his eyes…
GALAHAD: Good!  Come on…

Inside Camelot, Bartog is made to feel at home as Martha the Wench pours him a generous helping of wine at a table at which The Black Knight sits opposite.

BARTOG: You’ve done well, Sir Knight…and I have helped you…I’ve risked my neck, and betrayed my sovereign—Ulric of the Saxons…
BLACK KNIGHT: If it’s gratitude you’re fishing for, you have mine…
BARTOG: Thanks for that…but I have bigger fish in mind…for my aid, you made promises…a position of high honor…and all the lands and titles of Sir Lancelot…
BLACK KNIGHT: I’m still bound by the promise…but the time’s too early, Bartog…
BARTOG: How can that be?  You’re here in Camelot…you drink Arthur’s wine…you have his sword Excalibur…and you hold his Queen a hostage…the time is right, my Lord…overripe, I’d say…
BLACK KNIGHT: You forget…Arthur himself lives…

As does Sir Lancelot (Hugh Prosser).  You might want to take care of him before you start having your mail forwarded to those lands of his.

BLACK KNIGHT: …so as long as he does, neither his sword nor his Queen nor his castle can make me true king of Britain…
BARTOG: And if I should stop his living?  What then?
BLACK KNIGHT: All the conditions of my promise will be straightly fulfilled…
BARTOG: Then I have not long to wait…the plan for Arthur’s destruction is already in my mind…

Bartog then takes his leave of the Knight…disappointingly, we do not get a “Dun dun DUN!” on the soundtrack.  But we do witness Bartog furiously riding off, and as he zips past familiar scenery on horseback, Galahad and Bors soon give chase.  There is riding and riding and more riding, until Bartog finally has enough of this and he temporary stops at a wooded glen before continuing on his way.  But Galahad and Bors stupidly ride down an incline in the glen, thinking that Bartog went that way even though a lack of hoof prints would dictate he went in the opposite direction.


GALAHAD: Huh…that was a neat trick of Bartog’s…he must have been very amused at our thick headedness…

I’d be disappointed if he didn’t fall off his horse laughing at you two dimwits because—what trick?  You’re the two dillweeds who rode down in there despite all evidence to the contrary.

BORS: He’ll wish his head were thick if I ever catch him…but I fear it won’t be soon…
GALAHAD: There’s nothing to do now but to find Arthur…

So with a scene dissolve, we find Bartog riding back into the outlaw’s camp.

BARTOG: Cawker!  Gather your men!  Prepare to ambush atop Grey Cliff!  King Arthur himself will be in the net…
CAWKER: What will His Majesty be doing, following you into a trap?
BARTOG: With Guinevere the bait?  Seems likely…be ready in two hours!  I ride to Ram’s Head Inn!

“Prepare for combat!” barks out Cawker to his men as Bartog rides off—and he doesn’t mean the Vic Morrow-Rick Jason TV show, either.  Another dissolve later, and Bartog is dismounting his steed at the Ram’s Head…but is stopped by Sir Gawain (Rick Vallin) as he attempts to enter.

GAWAIN: It is Bartog, the Saxon traitor!  Your crimes must be overtaking you if you seek shelter here…
BARTOG: I seek King Arthur…
GAWAIN: For what reason?
BARTOG: To tell him where he may find his Queen…
GAWAIN: Come with me…

The two men go inside, where King Arthur and Sir Kay (Jim Diehl) are seated at one of the tavern tables, apparently enjoying glasses of chardonnay.  Arthur asks Gawain, “Where did you find this jackal?”—which made me laugh-out-loud.


GAWAIN: Outside, Sire…he claims to know where the Queen is being held…
ARTHUR (rising from his chair): I know there’s a price involved…name it…
BARTOG: Amnesty for my crimes…refuge under your protection…
ARTHUR: Then you’ve quarreled with Ulric…
BARTOG: Worse than that…with The Black Knight, too…

A wise ruler would immediately surmise that Bartog does not work or play well with others, and would avoid an alliance with him like scarlet fever.  Arthur is not that monarch.

ARTHUR: Your conditions are granted…where is the Queen?
BARTOG: I’ll lead you to her…you take only two knights as escorts…
KAY: Sire…I implore you…
ARTHUR: Let us go, then…

Usually Sir Kay is little more than a plonker in these situations…but he can clearly see that he can no more trust Bartog than he can throw him.  But Little Arthur is doing the thinking of Big Arthur, and so the King orders Kay to hold the fort at the Ram’s Head while he, Gawain and a knight identified only as “Sir Hector” go with their new pal Bartog.


Meanwhile, Galahad and Bors are riding around out in the middle of nowhere, which prompts Galahad to remark: “This has been a fruitless venture.”

“We can lose our enemies but we can’t find our friends,” Bors tosses off in a philosophical fashion.  And then he spots a wisp of smoke in the distance, which suggests that someone is not doing all they could to prevent forest fires.


“I think this is no ordinary one,” mutters Galahad when Bors asks if fires start themselves.  Sure as you’re born, the wisp of smoke becomes a cloud of same…and viola!  It is none other than Merlin (William Fawcett) himself!


MERLIN: You are right, Galahad!  But it is no ordinary thing that causes me to appear…King Arthur rides headlong toward an ambush!
BORS: Where will the ambush be?
MERLIN: At the top of Grey Cliff…but you must have help…Sir Kay and most of Arthur’s knights are at the Ram’s Head Inn…
GALAHAD: So you’re on Arthur’s side now, huh, Merlin?
MERLIN: I have never been elsewhere…

“Yeah, all those times I’ve been f**king with you in this serial…I was only kidding.  I’m a kidder.”

MERLIN: …but this is no time for explanations…

“Because the writers aren’t that far enough along yet.”  Merlin orders our heroes to ride, and as they comply with his request…whammo!  He disappears in his usual smoky fashion.

So let’s stop and consider this situation.  Would it not have been easier for Merlin to go back with Galahad and Bors to the Ram’s Head, to give their story a little additional credence?  Of course it would.  But we’ve got two chapters left, and as I have said on so many occasions—writers be lazy!  Observe:


GALAHAD: Sir Kay…the message is not mine—it comes from the magician Merlin!  I beg of you to ride with us!
KAY: I wanted to ride with the King…but Bartog swore it would endanger the Queen…

Oh, so that’s why he’s refusing to go.  “I wanted to ride with the King, but Bartog is his favorite now…”

GALAHAD: You realize the King himself is in dire peril?
KAY: Oh, I think that not likely…

“And besides…it’s a cliffhanger—what can you do?”

KAY: …our King is a man of great resourcefulness, and not likely to ride into a trap…besides, I doubt he would relish my interference…

“And also, too: the wine is cold and delicious…plus I just ordered a Blooming Onion.  So stop harshing my mellow.”

GALAHAD: Does all that mean that you refuse to ride with us?!!
KAY: It means that I believe you no sooner than Bartog, and I believe him not at all!  It’s too late to mend Arthur’s fate, and I’ll not risk my force on a wild goose chase!
GALAHAD: Very well, then—we’ll go alone!
KAY: No you won’t!


Kay gives the other ka-niggits the signal to stop Galahad and Bors, but our heroes easily outwit these guys (Galahad—or I should say his stuntman—grabs an overhead beam and kicks at the knights, knocking them down) and haul ass out of the Ram’s Head.  They mount their steeds and ride off in the direction of Grey Cliff.  At the location, Bartog, Arthur, Gawain and Hector have already arrived…the four men dismount and begin to walk toward the cliff as Cawker and the other rebels move swiftly toward their date with destiny.


ARTHUR: Bartog…I like not this tiptoeing about…why can we not ride in, like knights?
BARTOG: There are good reasons…but if you doubt me…
ARTHUR (after a pause): Lead on…

Actually, there are about ten to twenty good reasons, and they’re all racing toward the spot where they’re going to dry gulch Arthur and his ka-niggits.  (As are Galahad and Bors, who can be seen rushing through the hills to catch up with their King.)  “How much farther must we go?” Arthur asks again after they’ve traveled a little way.  “Hardly any, Sire,” responds Bartog, barely suppressing his dickishness.

As the outlaws descend from the hills and Bartog whips around to face Arthur with his sword drawn, the King shouts: “You’ll pay for this treachery!”  Art…seriously, dude.  You act surprised that Bartog has dicked you over.  (“Boy…I did not see this coming!”)  And…where the hell is Merlin, anyway?  It’s not like he didn’t know about all this.  Artie—if you do manage to get out of this mess I would seriously think about hiring a new court advisor who can also pull a rabbit out of his hat.  (Though Merlin’s participation might violate the Official Rules of Major League Swordplay—I’ll have to get with Chris Vosburg on this later.)

Well, as is so often the case when the swordlery breaks out—a bunch of guys stand around and hit one another with swords in the same fashion as we used to do as kids, and it’s kind of hard to delineate just who is who.  But soon it becomes apparent that after sucker punching Galahad, Cawker runs off into a wooded area, followed by Galahad…and the two of them start to tussle with daggers while perched on a large rock:


Suddenly, the same archers who couldn’t hit Galahad with an arrow throughout this serial even if he was standing in front of them manage to hit him during the fracas between him and Cawker…


…from this angle it does look as if Galahad has been hit…


…but from this angle it’s readily apparent that Cawker is the victim (or his stuntman, anyway)…


Oh, well.  Take us home, Knox baby!

MANNING: Why does The Black Knight rescue the treacherous Bartog?


That…is a damn good question, my friend.

MANNING: Who is trapped behind this curtain?


Pay no attention to the man behind the curtain!

Thursday, November 22, 2012

Happy Thanksgiving!


From myself and the 'rents, as we're getting ready to tuck into a turkey the size of Rhode Island (I'm sometimes convinced Mom used to work in the kitchen of a penitentiary), Happy Thanksgiving to everyone out in YesteryearLand...

Wednesday, November 21, 2012

Passing around the hat (#3 in a continuing series)


Back in October of last year, I had a post up on the blog concerning a project at Kickstarter.com, in which Sam Nelson—son of Ricky and grandson of Ozzie & Harriet—was raising funds to restore all 435 episodes of his nana and papa’s classic TV sitcom (The Adventures of Ozzie & Harriet) to DVD.  Like most of your public television pleas for money, the project had several tiers at which you could pledge…and I’m pleased that my contribution netted me some nice goodies, one of which was a T-shirt with the sitcom’s logo imprinted on it that my mother wears often, much to the amusement of the staff at Publix.

As someone who’s made classic film, TV, old-time radio and other nostalgic forms of entertainment a passion during my brief stay on this planet, I’m always enthusiastic about kicking in some money in kitties (and I don’t mean in the feline sense) if and when I have two nickels to rub together.  (The joke around our house goes: “Money is no object…mostly because we don’t have any.”)  But a search of the couch cushions here at Rancho Yesteryear recently turned up some spare coinage that allowed me to donate to another Kickstarter project that will be of interest to both silent comedy fans and students of film preservation.

Ben Model is a name that I’ve mentioned a time or two on the blog; he’s a film historian and filmmaker, as well as one of the USA’s leading silent film accompanists.  A small list of his credits would include…well, if you own a copy of Shout! Factory’s Ernie Kovacs Collection you’ve seen his name on it (he was the curator of that box set), he also curates/produces the Museum of Modern Art’s annual Cruel and Unusual Comedy retrospective and for the past fourteen years has produced (as co-founder) NYC’s Silent Clowns Film Festival.  He asked me for a solid some time back when he came across a review I did for the 1970 Robert Youngson compilation film 4 Clowns (he needed a copy of it), and in return he sent me a DVD of the 1920 Lon Chaney film The Penalty, complete with his own personally composed score.  Not to put too a fine point on it…he’s good people in my book.

As a film historian, Ben has also amassed a rather impressive collection of silent films on 16mm…and in many instances, these prints are all that’s remaining of the originals.  He’s initiated a Kickstarter project to produce a DVD for classic film buffs that will, as he nicely puts it, “get these films out of cans and onto peoples' screens so they can be enjoyed and studied.”  The movies will feature HD transfers and new musical scores, and will also be put on YouTube for future generations of film fans to enjoy.


The project—titled “Accidentally Preserved”—has set a goal of raising $3,600 to produce a DVD that will contain 8-9 of these rare and/or lost silent classics…and with two weeks left to go, he’s $3,065 in as of this writing.  Ben recently e-mailed the backers to let them know that three of the films on the DVD will be one-reel “Cameo” comedies (the title that the Educational Pictures studio used for their one-reelers; their two-reelers were known as the “Mermaid” comedies) featuring the talents of Cliff Bowes, Wallace Lane (brother of Lupino Lane) and future Columbia second banana Monty (Monte) Collins.  Ben’s “reasonably certain” that these films constitute the only surviving copies of these treasures from the past.

As always—every little bit helps…and there’s several tiers for people to donate.  If this project is successful (and with your help, it’s practically a shoo-in) there’s a darn good chance that future volumes would also be produced—and Ben’s connections with other silent film collectors would insure that the material for these discs consist of true cinematic treasures.  If you can contribute, I urge you to do so—and when you do, be sure to mention my name. (It won’t do you any good, of course, but it helps to spread my name around.)

Tuesday, November 20, 2012

Do not attempt to adjust your blog


Because I very much wanted to watch the conclusion of the Ken Burns documentary The Dust Bowl last night on public television, I made the decision to postpone this week’s Mayberry Mondays feature…and for that, I apologize.  My plans to start working on it Sunday came to a grinding halt when my favorite nephew came over for a little while to amuse the ‘rents and myself…and then when I went back to it Monday morning a few distractions (multiple errands trips, mostly) pretty much signaled that it just wasn’t going to get done.

I’ve also been a little slack on the TV-on-DVD announcements of late, so I thought I’d take care of that with this post.  The good folks at Timeless Factory Video (the blog’s pet name for the merger between Timeless Media and Shout! Factory) have announced that they’ll be continuing their Wagon Train and The Virginian releases in 2013, with the sixth season of Train due out in March (the release date has yet to be finalized) and season number seven of Virginian scheduled for February 5th.  If you get INSP on your cable system, you’re probably aware that the family-religious channel added The Virginian to their program lineup in the fall…and in honor of this acquisition, they held a contest in which they gave away DVD copies of seasons 1-6 plus the ninth season, The Men from Shiloh, to one lucky winner.

Suffice it to say, I was not that winner—but here’s the interesting part.  They actually e-mailed me to inform me I was not the winner.  And it wasn’t a “nyaah nyaah, you loser” missive, it was simply a nicely-expressed regret that I didn’t win.  I don’t think I’ve ever had that courtesy extended to me before.  The e-mail also informed me that they were holding another giveaway, in which the prize of all nine seasons of The Waltons would be awarded to a lucky person.  I didn’t win that one, either—and once again, they graciously informed me as such.  The latest contest offers a chance to win all those Matlock DVDs that have been released (since INSP has started showing the Andy Griffith legal drama in the mornings), and because I entered that one I expect to get another “sorry you lost, old sock” e-mail soon.

In other TV oater news, CBS DVD-Paramount will release the second volume of its seventh season of Gunsmoke on the same day Timeless/Shout! is having the Shiloh ranch hands saddle up (February 5).  It’s a five-disc collection containing the remaining seventeen episodes from the western series’ first hour-long season, but the TVShowsOnDVD.com announcement doesn’t mention any pricing (my guess is it will be the same as Volume 1, which will be released December 11).  A week later (February 12), the company brings out Season 5 of Bonanza in two volumes…or you can purchase both at the same time in a shrinkwrapped bundle.  Volume 1 contains the first eighteen episodes from season cinco; volume 2 the remaining sixteen.

Also hitting the trail is the long-awaited second season of The Life and Times of Wyatt Earp, which Inception Media will finally make available for fans of the 1955-61 Hugh O’Brien series on March 12th.  The five-disc set, which has a $24.98 SRP price, will contain all thirty-nine episodes of the program’s sophomore year.  A meaner person might point out that Earp devotees have been waiting since 2009 for this to get released…so I’m glad I didn’t disappoint you.

In their recently released Blu-ray box set Alfred Hitchcock: The Masterpiece Collection, Universal Home Video included a flyer that according to TSOD hints very strongly about a sixth season release of Alfred Hitchcock Presents “coming soon.”  Very encouraging news.  And for those of you who ponied up the scratch for CBS-Paramount’s The Fugitive: The Complete Series (The Most Wanted Edition), TSOD has information about how to replace the defective discs that have apparently plagued a few consumers.  (I’m not saying a word.)

Our “I can’t believe they’re releasing that to DVD” prize this week goes to Sony Pictures Home Entertainment, who have announced that they will be releasing to MOD (manufactured on demand) the 1972-73 sitcom Bridget Loves Bernie on December 4th, in a five-disc set (priced at $39.99 SRP) and containing all twenty-four episodes.  For those of you too young to remember the show, Bridget Loves Bernie’s premise had an Irish Catholic teacher (Meredith Baxter) married to a Jewish cab driver (David Birney), with the plots stemming from the culture clash between Bridge’s wealthy parents (David Doyle, Audra Lindley) and Bernie’s not-quite-so-wealthy folks (Harold J. Stone, Bibi Osterwald).  Ned Glass was also a series regular (as Bernie’s Uncle Moe), as was Robert Sampson, who played the priest brother of Bridget.

Bridget Loves Bernie caused a great deal of controversy during its original broadcast run, mostly from viewers who objected to the inter-religious marriage, and CBS yanked the show after one season…despite the fact that it ranked #5 in the Nielsens (well, it was sandwiched between All in the Family and Mary Tyler Moore—you kinda have to expect that).  It was really much ado about nothing (and hardly original—there had been a radio sitcom, Abie’s Irish Rose, with practically the same premise) and I remember that my parents were quite fond of it in their regular network watching days.  Hell, the show was created by Bernard Slade, who brought such hot-button shows as The Flying Nun and The Partridge Family to the boob tube: how bad could it have been?  Okay, don't answer that...nevertheless, you’ll soon get a chance to find out for yourself.

In other MOD news, the Warner Archive has recently released a pair of sets that may be of interest to my fellow couch potatoes.  October 23 saw the introduction of Alice: The Complete Second Season, a 3-disc set (priced at $29.95) containing all twenty-four episodes of the Linda Lavin sitcom (based on the 1974 film Alice Doesn’t Live Here Anymore) that ran on CBS from 1976 to 1985…though it seemed a lot longer.  I probably don’t have much room to poke fun at that, since I did watch the show (but then again, I did a lot of things in my youth of which I’m not particularly proud) but when I purchased Warner Home Video’s “Television Favorites” disc of Alice in 2006 (a single disc collection containing six episodes) and watched it, I sort of wondered out loud: “Man, I really had a lot of free time on my hands back then, huh?”  Well, I don’t say this to disparage fans of the series from buying it—I think it was Jaime Weinman who once observed that every TV show deserved to have its day in the digital versatile disc sun.

Also just released from the Archive (last week on November 13, as a matter of fact) was Hawkins: The Complete TV Movie Collection, a 4–disc set containing all eight episodes of the 1973-74 legal drama starring James Stewart.  Hawkins’ short run is explained by the fact that it was one of two features (the other was a TV version of Shaft, which has already been released by Warner Archive) that alternated on CBS’ The New Tuesday Night Movies.  Despite favorable critical buzz (the show was kind of a precursor to Matlock) and a Golden Globe Award (for Best Actor in a Television Drama Series) for Jimmy, Hawkins never really caught on with viewers in the same fashion as The NBC Mystery Movie franchise.  (The fact that it alternated with Shaft, with both series kind of serving two sets of audiences, may have had something to do with that.)

The Archive also released on that same day (November 13) the second season of the 1977-81 family comedy-drama Eight is Enough…and because split-season sets are the gifts that keep on giving, he said in his usual smartass fashion, Eight’s sophomore year is available in Volume 1 (with 14 episodes) and 2 (the remaining 12).  Both volume are priced at $29.95 SRP each, but you can save a little scratch if you buy both of them Bonanza-style (that will only run you $49.95 SRP).

Lou Lumenick has posted an interview with Warner Home Video’s George Feltenstein at his column at the New York Post; the company is getting ready to introduce a MOD Blu-ray line of products.  He also mentions that the company has updated prints of The Greatest Cable Channel Known to Mankind™ library acquisitions like Skyscraper Souls and The Falcon in Hollywood, so they will hopefully be making their way to MOD DVD soon.  But here’s the part that perked up my ears:

“We get a lot of requests for the Dr. Kildare TV series with Richard Chamberlain, but we could never clear the music because we couldn't find the cue sheets,'' Feltenstein says. “Now we have, and it will probably be out next year -- along with all of the Dr. Kildare movies, of course.”

A TDOY reader in Dallas, TX e-mailed me back in March 2009 to see if I had a source for the Dr. Kildare shows but I wasn’t able to be of much help.  So maybe this will be the answer after her nearly three-year wait.

The last of the Warner Archive announcements is a future one…and it also falls into our cold cereal and footy pajamas department.  The company will release to MOD the Saturday morning oddity Korg: 70,000 B.C.  The ABC series, which depicted the life of a Neanderthal family in the titular time frame, was a live-action entry produced by TV animation monarchs Bill Hanna and Joe Barbera and lasted for 16 episodes in 1974.  The show was originally telecast on Saturday morning…but yours truly saw it on Sundays, and found it pretty boring despite being narrated by Burgess “Penguin” Meredith—I think the only reason I had it on was because I was waiting for Rocky & Bullwinkle.  But, if you’re interested, The Complete Series will be released on December 11th.

In other Saturday morning DVD news, there’s now a finalized date for The Jackson 5ive: The Complete Animated Series: it’s scheduled to be released on January 15th, and will be available as a 2-disc set priced at $32.99 SRP.  (It is also being made in a Blu-ray version, too.)  Apparently bad animation does not come cheap.  I’m a little more excited about this news: Mill Creek Entertainment’s Fury: The Lost Episodes collection, which is scheduled out on January 8th.  Fury (also known as Brave Stallion) was a children’s series that aired on NBC from 1955-60 and was the vehicle that Peter Graves was best known for before he got his weekly tape recorder assignments on Mission: Impossible.  Most of the collections of the show on this side of the pond contain the five installments that are in the public domain; Network DVD over in the UK has a larger collection and my friend Linda has mentioned to me that the entire series is available from a German company.  But my many years of underemployment have not provided me with the necessary deutschmarks to pay for a collection that size, so I’m going to stick with Mill Creek’s release that contains a total of twenty-three episodes (eighteen new to DVD here in the USA).  With a SRP of $9.98 for a three disc set, I think that will serve my Fury needs for the time being.  (I’m not sure putting the show’s familiar opening: “The story of a horse…and the boy who loves him!” on the cover is such a good idea, though.)

A few other brief announcements before the music plays us out:

The other “playa” in the MOD game, Sony Pictures Choice Collection, will bring the 1985 reunion telemovie I Dream of Jeannie: 15 Years Later to DVD on January 1st…though the price on this is MIA.  The fact that they couldn’t get Larry Hagman in on this one will kind of give you an idea of what to expect; I watched it when it first aired (I’m a masochist, what can I say) and found it a disappointing experience even though it was great to see Hayden Rorke one last time.  Caveat emptor.

Timeless Shout Video has also announced the upcoming release of a box set entitled The Loretta Young Show: The Best of the Complete Series, 100th Birthday Edition…which will hit the streets on February 12th.  It’s a 17-disc set (here a pre-order listing at Amazon.com), but the TSOD announcement doesn’t mention how many episodes it will contain; the long running anthology series (1953-61) has already seen two previous season releases (season one in 2006, season two in 2007) and a “best of” seasons three and four in 2010…so I’m a little concerned this might just be a repackaging, I just don’t have all the available info.

Legendary Entertainment Alliance and distributor eOne Entertainment will be releasing a single-disc of telecasts, First Performances: Volume 1, from TV’s The Garry Moore Show on January 15th of the New Year.  TSOD says the DVD contains 240 minutes of material, which would seem to suggest that there will be four shows in all—featuring the TV debut of Barbra Streisand, moments from Broadway legends Ethel Merman and Dorothy Loudon…and according to the press release, “the launch of one of Carol Burnett's most memorable characters: the "frumpy" washerwoman!”  Sounds like a nice way to collect some of these shows without having to go the Carol Burnett Collection route; the DVD is priced at $14.98 SRP.

Okay, I hope to have some additional stuff up this week…but this will kind of give you an idea of how I’m occupying my time—I bought the Classic Media box set Underdog: The Complete Series from an Amazon Marketplace dealer a week or so back, and kind of fell down laughing when I saw this:


Looks like a bit of editorializing, from the position of the eyes.  Well...a Goldwater supporter is a Goldwater supporter, so as they used to say on Underdog: “Looks like this is the end!”