I’ve mentioned a time or two on the ol’ blog that much of my classic movie mania—really, the entire content of Thrilling Days of Yesteryear—sprang forth from the nostalgia craze that swept the 1970s, which played host to my formative years. Hollywood looked to the past for moviemaking (Hearts of the West, Nickelodeon) and radio stations began rebroadcasting many of the great shows of Radio’s Golden Age like The Shadow and Fibber McGee & Molly. One of the more interesting features to emerge from that period is Brother Can You Spare a Dime?, a 1975 documentary directed by Philippe Mora and now available on Blu-ray/DVD from the good people at The Sprocket Vault.
Brother presents
a mash-up of clips from classic Hollywood flicks and newsreels in attempt to
chronicle the events of The Great Depression…and to be honest, I’m a little
hesitant to call the film a documentary because it’s really more of a cinematic
mosaic, relying on images, music, and sound bites instead of going the more traditional
doc route. So I’m going to warn you
right now: if you’re hungry for something along the lines of a serious Ken
Burns-like presentation, you might want to move along because there’s nothing
to see here. But that would be premature
(and very, very wrong), because Brother is a
lot of fun: it includes a lot of great songs (a couple of classics from Woody
Guthrie, not to mention contributions from the likes of Cab Calloway and Billie
Holiday) that would make dandy music videos, and it’s most entertaining trying
to identify the film clips included in the movie.
In
his 1975 review of Brother Can You
Spend a Dime? the late Roger Ebert wrote: “We get a great deal more of
Roosevelt than we really need.” Which is kind of silly—FDR was president
throughout that era, so it shouldn’t come as a huge surprise that he figures
prominently in the movie’s content. (Now
you know why I don’t place Rog on the pedestal that others do.) Other personalities that turn up in Brother include Huey Long, Joe Louis, John
Dillinger, Winston Churchill, and Herbert Hoover along with “more stars than there
are in Heaven” via the generous amount of film clips. (James Cagney gets the lion’s share of these,
with nods to vehicles like Taxi!
[1932], Lady Killer [1933], and ‘G’ Men [1935], but there’s also footage
from TDOY faves like Black Legion [1937—a very effective
sequence that blends newsreel footage of the Ku Klux Klan with Bogart’s
character’s initiation] and To Be or Not to Be [1942—“Heil myself!”].)
Brother calls it a
day once the United States decides to enter WW2 after the attack on Pearl
Harbor, and curiously wraps things up with footage of Lee Harvey Oswald and
past presidents like Richard Nixon and Gerald Ford. (Yeah, I didn’t quite understand this
either.) I really think classic movie
mavens will enjoy this one, and to sweeten the presentation The Sprocket Vault
includes some nice bonus material in the form of fifty minutes of newsreels
from Pathe (“On land…on sea…in the air!”).
There’s a lot of great stuff in these time capsules (there’s a notice
before the footage that the company is planning future DVD releases of these newsreel
compilations), featuring celebrities like George M. Cohan (wowing Broadway in I’d Rather Be Right) and James Stewart (his
induction into the service). The old-time
radio fan in me was particularly entertained by the footage of the opening of
the NBC Studios at Rockefeller Plaza (a.k.a. “30 Rock”) and a bit with Lucille
Ball demonstrating Sonovox (the device used to simulate the “talking train”
featured in the Bromo Seltzer commercials of that era). (I could have done without the footage of “movie
czar” Will Hays, though—unless people feel empathy for the charisma-impaired.)
Well, my birthday just passed. Wait! I'm a mother (yeah, two kids) and Mother's Day is just around the corner. Whew. Now I just have to convince folks that they should buy me something. In particular, Brother Can You Spare a Dime.
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