Showing posts with label Serials. Show all posts
Showing posts with label Serials. Show all posts

Friday, July 21, 2017

Crime Does Not Pay #10: “It May Happen to You” (06/05/37)


This week’s Crime Does Not Pay outing has been discussed previously at Thrilling Days of Yesteryear…but since our Friday excursions into MGM’s popular series of shorts allow me to go into a bit more comprehensive detail I’ll apologize in advance for the rehash.  CDNP not only provided work for character veterans, it also served as a showcase for future stars like Robert Taylor (starring in Buried Loot), Barry Nelson, and Cameron Mitchell.  The big name in It May Happen to You (1937) straddles the cinematic worlds of stardom and smaller character actor fame—it’s “that celebrated actor,” J. Carrol Naish, a two-time Academy Award nominee for his supporting performances in Sahara (1943) and A Medal for Benny (1945).  I use the term “celebrated actor” in a tongue-in-cheek manner because that’s how announcer Bob Lemond always introduced him in his starring role on radio’s Life with Luigi (like how I reverently refer to Mister John Dehner in recognition of his billing on radio’s Have Gun – Will Travel).


Philip Trent—last seen as “the MGM Crime Reporter” in The Public Pays (1936)—is back for this entry, but he doesn’t do much outside of introducing this week’s faux law enforcement official, Captain John Mallory—“chief of the larceny squad of the Metropolitan Police Force.”  Mallory is portrayed by character veteran Guy Usher, who appeared in a couple of chapters of The Green Hornet (1940) as an odious criminal type named “Lynch” (nice to see Trent and Usher together in this short, by the way).  Usher’s credited work includes such films as Penguin Pool Murder (1932), This Day and Age (1933), It’s a Gift (1934), and The Spanish Cape Mystery (1935—an Ellery Queen film where he plays Inspector Queen).


MALLORY: Police and the city health department often have to work close together to smash the activities of vicious racketeers…human rats worse than the carriers of bubonic plague…

Hey…hey…there’s no need for name-calling here.

MALLORY: If you think that criminals live in another world that can’t affect you, consider this case…recently, the state highway patrol was fighting a wave of truck hijackings…


There’s a whip-pan to a truck tooling down the road, with “Lathrop Canning Co.” displayed on the back.  (“When…it…says…Lathrop’s, Lathrop’s, Lathrop’s/On the label, label, label/You will like it, like it, like it/On your table, table, table…”)  A car follows the truck, and inside the vehicle are a gang of no-goodniks comprised of Bunco (Emmett Vogan), Torpedo (Eddie Marr), Musclebound (Dick Rich) …and our “celebrated actor” as their fearless leader, J. Carrol Naish as “Moxie.”  (“Make Mine Moxie!”)  Moxie instructs Bunco (who’s at the wheel) to “kill the lights,” then to pull up beside the truck as Torpedo gets out on the running board, smashes the truck’s passenger window, and orders the driver to turn off onto a side road.  Fortunately for the Lathrop employee, a couple of uniformed motorcycle patrolmen are nearby to witness what will surely be some major criminal activity…and after coasting down to where Moxie and his stooges have positioned the truck, shine their headlights to scatter the mob like cockroaches reacting to turned-on lights in the kitchen.  There’s a bit of gunfire exchanged, and Bunco takes some shrapnel before the crooks beat a hasty retreat.

A scene shift, and Moxie is at a pay phone talking with this gent:


Yes, it’s character legend Clarence Hummel Wilson—the beloved hatchet-faced thespian who’s been in countless shorts and features…but around Rancho Yesteryear, we remember him for roles in several Hal Roach-produced comedies (Our Gang’s Shrimps for a Day [1933], Charley Chase’s Public Ghost #1 [1935], etc.).  This is Wilson’s last CDNP outing (he was previously seen in Alibi Racket), and while we are unquestionably saddened by this he gets a great showcase here as the “brains” of the operation, Van Buren “Pop” Sheafor.

MOXIE: Bad news, Sheafor…that job fell through tonight…
SHEAFOR: Fell through?  How come? (Pause) All right—meet me at the warehouse in one hour…
MOXIE: Right…

As he hangs up the phone and exits the phone booth, we see that Moxie phoned “Pop” from a gymnasium…and that his fellow goons are whiling away their copious crook time watching a pair of amateur pugilists have at it for a few rounds.  Torpedo tells his boss that Bunco’s “slug went through his hand—but he’ll be okay.”

MOXIE: From now on we lay off the highways—those state cops are gettin’ too smart…we gotta figure out a new way to work…
TORPEDO: Gettin’ so a man can’t earn his livin’ no more…

Nice little laugh line from Marr—who had a most prolific acting career on radio (The Lux Radio Theatre, Suspense) in addition to motion pictures.  Moxie’s gang takes delight at watching an amateur (Arthur Rankin) display his unique boxing style, which consists of him hitting the other fighter’s glove repeatedly with his face, then falling to the mat.  Musclebound jokingly refers to him as “Horizontal Eddie.”


MOXIE: Why…that guy don’t look like a fighter…
MUSCLEBOUND: He ain’t!  He works for a livin’…checks out trucks at the Cassidy Meat Packin’ Company…
MOXIE: Meat packin’ company?
MUSCLEBOUND: Yeah…


You can almost see the wheels a-turnin’ inside Moxie’s cranium as he begins to devise an eevillll scheme…he then visits young Edward in one of the locker rooms at the gym…

MOXIE: That’s a wicked left you got, kid…
EDDIE: Thanks…
MOXIE: I’m Moxie…
EDDIE: Yeah—I heard about you…

“Don’t get any ideas about my sister, though—she’s off-limits!”


MOXIE: Whaddya trainin’ for?
EDDIE: Oh…I just need to make a little extra money…
MOXIE: Well, you sure picked yourself a tough way to get ten bucks…

Moxie knows all about Eddie’s job at the meat packing company, of course—but he’s coy about it until Eddie brings it up.  The racketeer then goes to work on his mark’s financial insecurity: “Those joints never pay anything—even when you work up to somethin’.”  He’s got a little proposition for the money-minded young lad, and while there’s a fade-out as Moxie goes into the details, we get the gist of what he discussed with Edward in a conversation with “Pop” Sheafor.


MOXIE: …every morning he helps load those big refrigerator trucks and sees that they’re locked before they leave the plant…kid’s workin’ for peanuts—crazy about dough…it’s the perfect setup…
SHEAFOR: Hijack meat?
MOXIE: Why not?  Hah!  There’s big dough in fresh registered beef…
SHEAFOR: How are you gonna work it?
MOXIE: Never mind about that…if I get the stuff…can you sell it?
SHEAFOR: Sure!  I got several sellers on the east side who’d be glad to get some cheap…

Moxie asks Sheafor if he wants it brought to his hideout, and “Pop” is adamant about scotching that scheme.  “The health department inspectors are always nosing around the warehouse,” he explains.  Not a problem—Moxie will just need to take it to “the old garage” and “pile it up—throw some ice on it.”  I suppose I don’t need to tell those of you who don’t have extensive experience in food storage why this is not going to end well (there’s a reason why sides of beef are always stored in freezers, kids).  But I’m getting ahead of the short.

The next morning, Moxie is waiting for Eddie as the enterprising young soul leaves his modest apartment on his way to an early shift at the plant.  Eddie has given Moxie’s proposal a lot of thought, and he’s in—all he’ll need to do is slip Moxie the key to the lock on the truck headed for the nearby burg of Gardenia, and provide the proper info on what route that truck will be taking.  Eddie does have some misgivings, though:

EDDIE: Suppose they miss the key at the plant?
MOXIE: Well, they won’t for ten minutes…and that’s all I’ll need it for—I’ll get copies made by a guy I can trust… (Eddie hesitates) Now—what’s the matter?  You said you were interested in easy dough…
EDDIE: Well, I don’t know…I…
MOXIE: All right…forget about it…you’re the kind of a sucker who likes to work for a livin’…


Don’t you just hate those guys?  Moxie starts to walk off…but Eddie asks him to wait a minute, then gives him a big grin.  Looks like Eddie’s going to be kicking in on the tolls dotting the road to perdition.


The Great Beef Robbery goes according to plan.  As the driver (Jack Pennick) complies with a stop sign, Musclebound emerges from some bushes to puncture two of the truck’s tires, leaving the driver flat.  (I make leetle joke.)  Bunco then pulls up in a sedan, and when Driver explains the situation to him he offers to give him a lift to a phone so he can contact a tow truck.  As Bunco’s car drives off, Moxie, Torpedo, and Musclebound pull up in a truck of their own and help themselves to that sweet, sweet Cassidy beef once Musclebound unlocks the refrigerated section with that duplicate key.  There is then a scene shift to the plant, where the driver is being questioned by Cap’n Mallory as to the details of the theft.

DRIVER: …and when I got to Gardenia and opened the truck—it was empty…
MALLORY: Were the doors locked when you got there?
DRIVER: Yes, sir…
MALLORY (to the plant manager): You sure that truck didn’t go out empty?
MANAGER: These men loaded it…

He leads Mallory over to where a couple of plant employees are standing—Eddie is in the vicinity as well, seated at a desk.


MALLORY (to Eddie): What’s your job?
EDDIE: I check the load…and see that the doors are locked…and that the driver gets the invoice…
MALLORY: Were the doors locked?
EDDIE: Yes, sir…

Well, he was honest—he just left out the part about “…and then I gave the key to some greaseball hood who made himself a copy.”  Mallory is baffled by this case.  All the men at the plant have good records.  There are no discernible fingerprints on the truck (what prints do exist are all smeared) and “no jimmie marks on the locking devices.”  “Most hijacking is done at gunpoint or by violence,” muses Mallory.  He surmises that it must be an inside job, and he tells his man Reed (William Royle) to pore through the employees’ records with a fine-tooth comb.  A “Dr. Rexford” (Frank Dae) at the Health Department should also be contacted.

As the scene changes, a grocer (Rollo Lloyd) who answers to “Joe Mollock” is on the horn with Sheafor—salivating at the prospect of buying some cheap beef:


MOLLOCK: Three cents better than market?
SHEAFOR: Cash deal…and quick dough for both of us…
MOLLOCK: Quick dough, huh?  Okay—send me fifteen sides!

Getting off the phone with Mollock, Sheafor is one happy black marketer—crowing “Oh, what a racket!” and making me choke on my beverage.


MOXIE: It’s a pipe, isn’t it?
SHEAFOR: And easy to sell!  I’ve got orders for half that load already!
MOXIE: Where’d ya peddle it?
SHEAFOR: Outside of Joe Mollock, I’ve got three jobbers on the east
side I can trust—Ward, Wesley, and Britton…only they don’t want delivery before Thursday…so we’ll have to hold it for them before then…hope that stuff keeps in the garage for a couple of days…

“Torpedo!  Head out to the 7-11 for another bag of ice!”  Sheafor tells Moxie that he could use another load next week, and he asks his chief henchie if he can trust Eddie.  “I don’t trust him…I just keep an eye on him—he’ll do what I say” is his reply.  Sheafor suggests that Eddie pilfer some invoices from the Cassidy company—that way they can give them out to the “jobbers” and everything will be legit.

A scene dissolve, and Moxie and Torpedo are paying Eddie off at the gym…where Moxie asks the young criminal-in-training to score some “billheads.”

MOXIE (handing him $100): Bet that’s the easiest century that ever came your way, huh?
EDDIE: You said it!  It’s going right down on a yellow sport roadster…

You’re not even in the crime business a day, Eddie…and you’ve forgotten about sending some money home to your poor, gray-haired old mother.  Bad Eddie.  No hotrod.

MOXIE: Take it easy, kid—you don’t wanna start lookin’ too flush…we’re pullin’ another haul next week…
EDDIE: Sure…anytime… (He laughs) Simple…the cops don’t know where to start…


Rut roh, Raggy.  You see, Edward neglected to tell his hoodlum friends that the gendarmes paid the Cassidy people a visit after the meat robbery and started asking a lot of questions…this does not sit well with Moxie, though it’s Torpedo who grabs the little mook by the lapels, slamming him up against the lockers.

MOXIE: What did they say to you, Eddie…?
EDDIE: Oh, they just asked me a couple of routine questions…was the truck locked when it left?  I told them yes…and they asked me what I did…they questioned several other guys at the plant, too…don’t worry about it!
MOXIE: We’re not worried about it, kid…only watch your step…go on, beat it…


Well, we’re at the halfway point here and as you can tell by the newspaper headline—a couple of bags of ice is insufficient to keep meat from going bad.  Dr. Rexford informs Cap’n Mallory in one of the hospital wards that there’s been close to 200 cases of ptomaine—with four deaths—from “bad beef.”  “Forty-seven butcher shops and seven restaurants…had some of that spoiled beef,” he intones, adding that that’s why he’s called Mallory in on the case.  The three “jobbers” that handle Cassidy beef—Ward, Wesley, and Britton—have been vouched for (ha!) by Cassidy, and the plant has received a clean bill of health after being thoroughly inspected.


A distraught woman bursts out in tears as she is led out of the ward by an intern—sounds like she received some bad news.  “We’ve got to find the rest of that poisoned beef before it gets to any more people,” declares Rexford firmly.  “There’s no time to lose.”  What started out as a simple case of hijacking has turned into “a death threat.”  Mallory is still convinced that it’s an inside job…but since he’s had no luck with the leads, he turns to the Fourth Estate to flush the miscreants out.  Meanwhile—back at the hideout:

BUNCO: It’s no use…I can’t get rid of any more of that beef…the Health Department’s got the jobbers buffaloed…
MOXIE: How can the beef be bad—we got ice on it, haven’t we?

“Damn it, Jim—I’m a hoodlum, not a nutritionist!”


MUSCLEBOUND: Yeah…them headlines is just a copper’s gag…
BUNCO: We better drop it…maybe it is spoiled…
MOXIE: Now, listen—we got dough tied up in this!  Plenty!
SHEAFOR: That’s right…and we’re gonna sell it!  (To Moxie) We’ll make that beef look fresh with some chemicals…then we’ll re-stamp it with the Maxim Company stamp!
BUNCO (sarcastic): Oh—will that make it good?
MOXIE: Well, what’s the difference…as long as we get our dough!

Strategy session in a major corporation or powwow amongst the criminal element?  You make the call!  Moxie orders Musclebound to get his ass over to the garage and start preparing the beef… but he’s interrupted by the arrival of Torpedo, who produces this cherce headline:


“When that kid sees how bad it is…he’s gonna spill all over what he knows all over headquarters!” wails Sheafor.  “That’s what I’m thinkin’,” confirms Moxie.  Besides, Eddie has violated the “code” by buying that car after explicitly being told not to.  Ordinarily, an infraction like this would result in loss of supper and detention in one’s room the rest of the evening.  But the Moxie Gang plays for bigger marbles, and Moxie orders Bunco to grab a taxi and collect Eddie, who’s due off from work in twenty minutes.  “Tell ‘em we’re gonna let him in on a big job,” Moxie explains…then he adds “The heat’s on.”

Because Cap’n Mallory has also learned that Eddie’s become quite the plunger of late, he’s had the kid shadowed by Reed—he’s on the job observing that Bunco is waiting for Eddie in Eddie’s car when the whistle blows.


BUNCO: Moxie wants to see you…
EDDIE: Hey—what for?
BUNCO: He wants you to meet the Big Boss…they’re gonna bring you in on a real job…

“Gloriosky!  That sounds neat-o keen!”  Bunco has Eddie drive to Sheafor’s, where the kid can hardly contain his excitement that his friends will be taking him for a ride.  Moxie holds back to tell Bunco: “Take the kid’s car to the Dutchman…get what you can for it, and tell him to break it up…today.”  Reed can’t help but notice that Bunco drives off in Eddie’s car and so he follows the henchman…sadly, in taking his eye off Eddie he can do nothing when Torpedo later sends the kid to The Happy Hunting Ground while the hoods drive along a country road.

Eddie did not die in vain.  (It was more like in B.F.E.)  Since Reed told Mallory about the kid and Bunco arriving at Sheafor’s, it’s given the police a vital lead in that they leap into action to question those individuals who do business with “Pop” …and that leads them to the weaselly Joe Mollock, who “handled fifteen more sides of beef than his refrigeration allowed last week.”

REXFORD: You handled more meat than your refrigerators can take care of…
MOLLOCK: All right…I’ll pay the fine…
MALLORY (enraged): Say—you can’t settle this with a fine…

“Who do you think you are—Goldman-Sachs?”


MALLORY: …two hundred people have been sick, four have died, and one was murdered because of the hijacking of some poisoned beef—and you handled fifteen sides of Cassidy’s beef that you can’t account for!
MOLLOCK: None of my meat poisoned anybody!  I never got a kickback!
MALLORY: No, but the health department did…you’re in a spot, Mollock…
MOLLOCK: I tell you that beef was okay!
MALLORY: Yeah?  Say, maybe we’ll slap a manslaughter charge on ya…we’re gonna close all your stores and hold you for investigation…

B-b-b-bad to the bone.

“Only if I don’t sing like a canary…and I’m going to do some warming up exercises right now!”  Mollock comes clean and confesses to the cops that he got the beef from Sheafor—still insisting the meat, however, was perfectly okay.  It’s all over but the shouting, cartooners—Moxie and the boys make separate deliveries to all three of Mollock’s stores (he won’t take the beef otherwise) and at each establishment, the cops are waiting to collar them (even Sheafor).  It’s all terribly anti-climactic, though I did chortle when they rounded up Bunco because he remarks “I had a hunch this was coming!” as he’s being slapped into handcuffs.  (Mama said there’d be days like this.)  When they arrest Musclebound at the same store, Rexford removes the tarpaulin from his truck and remarks of the beef: “Enough to kill a city…okay, pour the kerosene over it.”  (Yes, I was kind of surprised by this—I half-expected them to dole out the food out to the poor.)

Take us home, Mallory my man!


MALLORY: Moxie was right…the criminal can’t win…Bunco turned states’ evidence…Moxie and Musclebound went to the chair for Eddie’s murder…

I should point out that it was Torpedo who popped a cap in Eddie…but he was gunned down as the cops swarmed in on him at one of the stores.  (“He asked for it.”)

MALLORY: …Sheafor drew fifty years to life…and Eddie the working boy—who wanted to run with the so-called big shot gangsters—did not live long enough to find out that crime does not pay…thank you…


No…thank you, Captain Mallory.  Next time: a short with a title that’s just plain irresistible to a left-wing scalawag like me—Soak the Poor (1937)!  G’bye now!

Friday, July 7, 2017

Crime Does Not Pay #8: “The Public Pays” (10/10/36)


As the blogosphere goes wild for the triumphant return of Thrilling Days of Yesteryear’s critically-acclaimed dissection weekly of the Crime Does Not Pay shorts (hoo boy), we learn this week that while crime may not pay the public certainly does.  (Says so in the title.  They do need two forms of I.D., though, if they’re paying by check.)  The Public Pays (1936) won the CDNP franchise its first of two Academy Award statuettes for Best Short Subject (Two-Reel); the series would garner seven nominations in total during its twelve-year run on motion picture screens.  (Props to veteran scribe John C. Higgins, who wrote the story and screenplay, and would later work on such cinematic concoctions as He Walked by Night [1948] and Big House, U.S.A. [1955].)

William Tannen—the actor who played the “MGM Reporter” known as…Jim—will no longer be narrating our Crime Does Not Pay series; he has been replaced by Philip Trent (the actor would play another familiar-to-the-blog reporter in “Jasper Jenks” in the 1940 serial The Green Hornet) …though Tannen will return to CDNP, only in various bit parts.


REPORTER: How do you do, ladies and gentlemen…

Boo!  You suck!  Bring back Jim!

REPORTER: …once again, as the MGM Reporter, it is my pleasure to bring you another episode in the series entitled “Crime Does Not Pay” …may I introduce to you John Allgren of the Federal Department of Justice…

You could introduce us to him…but since I know that he’s really actor Edwin Stanley—who’s been in more serials (The Phantom Creeps, Mysterious Doctor Satan) than Carter has little liver pills—what would be the point?  (I’m going to warn you right now: Allgren comes across as someone who had a humor-ectomy as a kid.)


ALLGREN: The problem I have to present to you is not a nice one nor an amusing one…I’m not going to quote figures and let it go at that…I’m not going to lay the problem in your laps…I intend to throw it full in your faces…

Mental note: scratch this guy off the guest list for the end-of-year TDOY party.

ALLGREN: The problem is this: the robbery of our nation…the systematic and organized plundering of your country…of yourselves…

Oh!  You mean capitalism!

ALLGREN: Our department estimates that many industries are paying tribute to racketeers who have formed fake protective associations and fake unions…

Note that Allgren is careful to emphasize “fake” unions—otherwise that would be the end of this movie series as we know it.  (“Build your own goddamn set!”)

ALLGREN: …businessmen and workers are frightened into joining, and once they do the prices go up…and the consumer pays…which means everybody in this audience…

“Except for that couple seated in the back.  I have it on good authority that they steal for a living, and some of my men will be picking them up once the main feature is over.” 

ALLGREN: Ten cents of every dollar you spend goes into the pockets of crime…and that’s a dime for which you get absolutely nothing…

Kind of a bargain when you stop to consider how much of every dollar I spend goes into this country’s obscene, bloated military budget…for which I also receive absolutely nothing.  But I digress.

ALLGREN: Those dimes add up to two thousand million dollars a year to criminals…

What have you got against the small businessman, Allgren?  Laughing Boy then goes on to tell us that these same crooks were even evill enough to infiltrate the milk business, and he brings out the chief of police of “a Midwestern city” (later identified as “Clayburne City”), John Carney, to narrate this sordid story…


…except that Chief Carney is instantly recognizable as character great Cy Kendall…who, coincidentally, plays the chief bad guy in the Green Hornet serial.  I’ve seen Kendall in a great many flicks—you’ll remember he was in one of our previous CDNP shorts, Hit-and-Run Driver (1936)—and because the characters he portrays often tend to represent the opposite side of the law I kept waiting for him to be eventually revealed as working in tandem with the gangsters in this short.

CARNEY: We were confronted with a dangerous crime situation usually confined to large cities…we were invaded by a gang of extortionists…they posed as businessmen from Detroit…


There’s a dissolve, and then we pan up this impressive skyscraper…and to be honest, I was kind of confused because I got the impression that when Carney mentioned “usually confined to large cities” Clayburne City would be the last burg to have a building this imposing.  (“We shot our wad with the money from the general fund—but it was worth it!”)

Four “Detroit” men are being shown office space in that building by a landlord (character veteran Eddy Waller)—Moran (Paul Stanton), Bartley (Emmett Vogan), Kelly (William Pawley), and a fourth identified only as “Moran’s hood” at the (always reliable) IMDb …but played by yet another veteran thesp, Frank Puglia.  Also, according to the IMDb, the “office” used in this short was a set seen in the Clark Gable-Jean Harlow-Myrna Loy picture Wife vs. Secretary (1936).


LANDLORD: Uh…what business did you say you were in, Mr. Moran?
MORAN: I didn’t…but it happens to be milk…
LANDLORD: Milk?
KELLY: Yeah…the stuff they feed babies…
LANDLORD: I know a reporter on The Clayburne News…if you’d like a little free publicity…
BARTLEY: No, no, no…no publicity, my good man…we get our own publicity in our own way…

“Try this on for size: got milk?”  Bartley shoos away the landlord while asking him for “a first-class sign painter”—and this is the result:


The goon—who walks with an umbrella and a bit of a limp—pays off the painter and ventures back into the office, where the others—having received the “papers of incorporation”—are all set to take Clayburne City’s milk money.  (I make leetle joke.)

BARTLEY: Here’s a list of the independents…
MORAN: Well, their independence is over…the ones with the checks in front are the weak sisters…with a little talk, and they’ll join—that’s your job, Bartley…

The ones who have “x’s before them” will need “a little mild persuasion”—and that’s the jurisdiction of Mr. Kelly.  As for the Umbrella Man?  It’s pointed out that there are “a couple of Italian names” on the list, and since the guy with the bumbershoot seems to share that ethnicity he’ll handle those accounts.  The goon enthusiastically points his umbrella at the screen…


…and opens it, much to the consternation of his associates.  (I couldn’t initially figure out if it’s because it will serve a sinister purpose later or because they’re superstitious about opening an umbrella indoors.)  Moran and his bunch have hired a bunch of “boys” to assist them in their persuasion, and is informed by Kelly that “they’re over at the gym, taking a workout.”

MORAN (to Kelly): Now remember…you’re a trainer in town, with a stable of boxers…don’t make any attempt to phone here…nobody must connect those bruisers of yours with the Creamery Betterment Association…Incorporated…

First stop: Mr. Moore’s (John Dilson) dairy.


MOORE: Naturally, in the interest of good business I’d like to see the price go up…but…uh…
BARTLEY: But what?
MOORE: I started such an organization myself a couple of years ago…but it didn’t work…
BARTLEY: Don’t worry, Mr. Moore… (Hands him a piece of paper) This one will…now if you’ll just sign that…

Moore puts his John Hancock on the paper, and hands it back to Bartley.  That’s when he learns that Bartley is an administrative assistant to Beelzebub, and that he’s just signed away his immortal soul!  I’m kidding, of course; but Moore does learn that the price of milk is going up three cents…and that “The Creamery Betterment Association” expects to get a penny per bottle of cow juice sold.

MOORE: A cent on every bottle!  Why—that’s outrageous!  You know how much that amounts to?!!
BARTLEY: Yes…we know…but don’t forget in a few days the price goes up three cents…and it stays up…now you’ll save that extra profit just by organizing…
MOORE: But I can’t afford to pay that much!
BARTLEY: But you don’t pay it—people who buy your milk pay it…

"Why didn't I think of this before?"
This is, hands-down, the funniest bit in the short—because Moore gets this look on his face as if he’s just now figured out how capitalism works (it never occurred to him to squeeze the customers), and he’s beside himself with joy at the notion of screwing over his clientele.

The thug with the umbrella pays an Italian dairy owner named Simonelli (George Humbert) a visit by telling him the CBA (Creamery Betterment Association) is “an American outfit and you have been chosen to join,” skillfully appealing to his immigrant sense of patriotism.  Mr. S “don’t want-a no trouble,” and he sells his soul easier than a milkshake through a straw.  Dickman (Frederick Vogeding) of Baltic Creamery, on the other hand, proves a bit of a tougher sell when Bartley comes a-callin’.


DICKMAN: No, thank you…not interested…I’m making a fair profit…and business is getting better…but I don’t believe in banding together to get the price up…

Now I know this must be a movie—this guy is too good to be true!  Bartley is not discouraged; he throws his business card on Dickman’s desk and remarks that by noon tomorrow he’ll probably need it.  There’s a brief scene where Moran orders Kelly to put the heat on Dickman’s outfit…but curiously, he comments on Bartley’s habit of popping little white pills like they were Tic-Tacs.  I thought they introduced this into the story so that they could come back to it later (“We found an empty pillbox near one of the milk trucks, Inspector!”) but nothing ever develops—I think it’s just in there to give Bartley a little color.  Some of Kelly’s “boys” block one of the Baltic trucks on a country road, and when the driver gets out he’s punched out by one of the goons while the rest of them dump the milk on the ground.


To no one’s surprise, this induces Mr. Dickman to become a fervent supporter of CBA—though Moran warns him he’s letting him off easy despite Dickman calling the cops about the incident.  The scene shifts to a milkman making a delivery for Markowitz Dairy (lot of dairies in Clayburne City) while an unknown miscreant adds a little something extra to the milk via syringe…


We don’t learn what’s in the milk until a following scene, when a little boy takes a swig of his morning milk cocktail and complains to his mother “there’s something funny about this milk.”  Mama downs a bit of it, and noticing the odd tang sniffs it—declaring “Why, it smells like kerosene!”  While the mother announces that “that’s the last milk we’ll get from them” and goes off toward the telephone to give them a tongue lashing, a little girl also seated at the table has a slash and makes a face.  Yes, I laughed at this.  {“What is this kerosene-in-the-milk bullsh*t, Ma…gaahhhhhhhh!!!”)

The secretary (Barbara Bedford) to Mr. Markowitz (Karl Hackett) informs her boss in the next scene that customers have been bitching left and right about the new ingredient in the milk.  “I can’t understand it,” she laments…but Markowitz has figured it out; he hands her a business card and resignedly says “Call that number—tell them I’ll sign their agreement.”

As she turns to leave, he adds: “Tell MacMillan that milk goes up three cents.”


As you can see by this edition of The Clayburne News, every dairy in the area has knuckled under to the strong-arm tactics of the CBA except for Paige Creamery—whose president, Charles Paige (Ivan Miller), will no doubt be getting a visit from one of their friendly reps soon.  In the meantime, the audience witnesses for itself the devastating effects of CBA’s reign of terror.  A woman purchasing two bottles of milk from a grocer (Harry C. Bradley) must put one back after she’s informed of the price hike.  And a poor family gets a visit from a woman from the relief bureau is informed that their daily ration will be slashed from two quarts a day to a quart-and-a-half.  (Milk, Mandrake?  Children’s milk?)  By the way—the relief bureau lady is played by Bess Flowers, “Queen of the Dress Extras.”


Paige has taken all he can stands—he can’t stands no more:

PAIGE: Now get this straight, John—Paige Company is not knuckling under to these grafters…I’ve spent twenty years building up the biggest creamery in this city and I’ll fight ‘em…with or without your police department!

Looks like it’s going to be without.  Carney behaves pretty much like every pusillanimous public official—there’s nothing we can do, I’m just marking time until I collect my pension, yadda yadda yadda.


CARNEY: We have no evidence connecting the outrages with the racketeers…extortion’s very difficult to prove…I’ve got to have some evidence that a good jury can set its teeth into…
PAIGE: Swell…meantime these thugs take over the milk business and skyrocket prices!
CARNEY: Yeah, I know…

“F*ck it, Dude—let’s go bowling…”

CARNEY: I don’t blame the creamery companies for giving in…they’ve got too much at stake…they can’t risk spoiled milk…interrupted deliveries…families and hospitals have got to have their products!  The crooks have got the milk dealers right over a barrel…

More like a carton.  Paige still insists he’s going to hold out and that he’s itching for a scrap.  “We’ll be right beside you, Charlie,” promises Carney, “as soon as we get something on them.”

Back at the CBA, the officers lament that Paige Creamery still won’t play ball and that they’re going to soon start asking for three cents per bottle from its august members.  (This is how real bidnessmen are supposed to act!)  Kelly enters to tell Moran that Paige is still being stubborn—it’s speculated that the president’s reserve is due to his working his way up through the ranks, starting out as a humble milkman.  “He’ll go in with us or go into bankruptcy,” declares Moran.  The word is out to put on additional pressure, and in this next scene…


…not the best screen capture but the actor playing “Drunken Hood Who Knocks Over Milk Wagon” (thank you for that, IMDb) is B-western/serial veteran Richard Alexander (you might know him as Prince Barin the first Flash Gordon chapter play).  Dick and his fellow tipplers take the horses from the milk wagon, and when the driver objects he’s laid out with a roundhouse…then his wagon is pushed over, spilling the precious kerosene-laced beverage all over the ground.  A following sequence has two CBA goons crashing into a Paige truck on a busy street, also knocking the vehicle on its side.  But Paige continues to hang tough, despite a visit from Moran, Kelly, and Umbrella Henchman.  As they’re ordered out of his office, Bumbershoot Goon sees a photo of Paige’s wife and kids on his desk.  “Nice family you got…”  (“Be a shame if someone were to set fire to them.”)

Paige’s secretary (Betty Ross Clarke) informs him that Chief Carney has come to visit, and that’s when Paige announces he’s had enough.

PAIGE: I’m giving in, John…those crooks have threatened my family…

“I may be a captain in the homogenized industry—but my family means the world to me.”

PAIGE: Oh, I stuck it out while they smashed my trucks…beat up my drivers and made them quit…destroyed raw milk and apparently everything accidental…but this is too much…I’m through, Carney…

Carney pleads with Paige to “stick by me” even though the long arm of the law is completely helpless where these racketeers are concerned.  (“I was this close to stepping up my efforts to do completely nothing!”)  All he needs is another week—and in the meantime, he’ll do whatever it takes to protect the Family Paige.


“The police department is going into the milk business,” Carney declares to Paige.  He rounds up a considerable number of his fellow flatfoots (you wouldn’t think a city would need that many—but what do I know?) and disguises them as common garden variety milkmen.  As a couple of CBA shakedown artists approach one of the undercover cops with milk mayhem on their agenda, the cop gives one of them a judo flip…


A uniformed cop recognizes one of his fellow boys in blue (Robert Homans) in a milkman’s getup and assumes he’s gotten into another line of work.  No, me boyo, he tells his friend…and as Carney approaches, the milkman informs his captain he’s got a couple of guys ready for the hoosegow on top of his wagon:


The officers with the CBA are not amused.

MORAN (to Kelly): You dumb cluck…
KELLY: Well, how was the boys to know that every one of them milkmen was a cop?
MORAN: How could they know anything with such a dumb leader?  How many did they lock up?
KELLY: All of them…but don’t worry, Chief—they won’t talk…they know you’ll spring ‘em in a couple of days…
MORAN: These hick cops think they can stymie our racket, do they?  Okay…well, it’s Paige’s funeral…maybe the police department’s, too…


The Creamery Betterment Association proceeds to detonate a small thermonuclear device inside Clayburne City—which finally makes the police sit up and take notice.  Okay, I’m just kidding—Moran’s hood finally gets the opportunity to use his umbrella when the car he and a few of the “boys” are riding in passes a Paige truck alongside a country road.  The umbrella is actually a high-octane shootin’ weapon which pierces the tanks on the truck and spills the milk all over the ground.  (I haven’t seen umbrella action like that since that rerun of The Avengers.)  The man (Russ Clark) behind the wheel of the truck is unhurt…and he’s also an undercover cop, who spills the news of the event to Carney.  Carney knows that simple ballistics is all he’ll need to convict those evil-doers—particularly if he catches them with the umbrella gun.  There’s an unintentionally humorous bit where Paige starts bitching about the damage to his truck—estimated at $30,000—and demands of Carney: “What kind of police department are running here?”

“A good one!” is Carney’s response.  (Eye roll.)  The gendarmes quickly surround the building that houses the CBA, and they plan to flush out the gang by printing some “fake news”:


Spoiler: the driver was not killed.  The racketeers manage to make it to their vehicle and hightail it out of town…but they’re stopped by Clayburne’s finest—who shoot out the tires and make the car come to a screeching halt.  Umbrella Dude is gunned down…


…and back in the lab, the technician proves that the bullets found in the milk truck are an identical match to test slugs fired out of the umbrella.  “Umbrella or not—these fellas didn’t know enough to come in out of the rain,” he observes.  If this was a sitcom, everyone would be standing around laughing about now…

Okay, I'm starting to lose all feeling in the gluteus maximus (though I’m working on a remedy for next week)—let’s cut to the chase:

"And don't forget to drink your milk, you little bastards!"
ALLGREN: On the strength of the ballistic findings, Moran, Bartley, and Kelly were sentenced to fifty years each in state prison without possibility of parole…in such manner was the power of the milk racketeers broken in Clayburne City…extortion demands good organization, clever brains, and much money…but extortion cannot operate against a brave man who faces down these parasites and goes to the police for help…he cannot be robbed!

A still from The Public Pays
Um…you’re sort of forgetting that the cops kind of sat on their hands until the last five minutes of this thing.  That’s all for today, kids—but before I go…whoever has been "donating" the screen grabs for these write-ups to the (always reliable) IMDb I am most flattered.  I'm a little apprehensive about the IMDb crediting Alonzo Price with portraying “Captain Halliday” in last week’s entry, Foolproof (1936), only because it was merely an educated guess on my part.  (They’re still crediting Harry Hayden with playing “Stewart Walden” even though Facebook compadre Andrew “Grover” Leal has pointed out that is not the guy “serving the big dinner” in The Killers [1946].  And I still think that's Esther Howard as "Mrs. Layton.")  As always, thanks for encouraging my behavior.


Next time: Crime Does Not Pay wins its second and last Oscar with Torture Money (1937)!  G’bye now!