Monday, January 7, 2013

Mayberry Mondays #70: “The Moon Rocks” (01/25/71, prod. no. 0319)

Mayberry R.F.D.’s detractors rarely waver from their belief that the mayonnaise of TV sitcoms offered nothing more than a weekly half-hour of bucolic shenanigans watered down from the greatness that was once The Andy Griffith Show.  But ever since Mayberry Mondays got underway here on the blog in May of 2010, you and I know this simply isn’t so.  (Well, most of the time.)  The program was unflinching in challenging many of the societal mores and controversial issues that dotted the headlines in its time.  For example: in “New Couple in Town,” village idiot Goober Pyle (George Lindsey) is blackballed from a prestigious literary club on the basis that he is an idiot…but by befriending author Frank Wylie (played by Community’s Richard Erdman), he is able to overcome the prejudice from small-minded fools and take his rightful place among the other members of the book-worshipping society.


Today’s episode, “The Moon Rocks,” doesn’t quite confront controversy but nevertheless addresses a topical subject: close to two years after man first landed on the moon in 1969, interest in the artifacts brought back from that expedition was at a fever pitch…and that contagion will soon spread through television’s favorite small town.  The plot is set in motion when poor-but-honest-dirt-farmer-turned-town-council-head Sam Jones (Ken Berry) arrives at an unnamed state university for a city manager’s conference (he later mentions in the program about driving back to Durham, so it sounds as if it’s Duke)…and because this is a sitcom, he fortuitously finds a parking place right outside where he’s supposed to be (I’m guessing none of the students on the Duke University campus have cars).  But that is not all he finds, dear friends and neighbors…


…he conveniently runs into an old friend in Pete Winslow, who cordially invites our hero to step into his office.  And with that invitation, let’s get a better look at the actor who will be essaying the role of Master Peter Winslow this week.


You know him, of course, as Gary Crosby—the eldest son of Der Bingle and probably the most prominent (in terms of show business success) of the Crosby sons (that Bing sired with first wife Dixie; the others being Lindsay, Phillip and Dennis).  Gary appeared alongside The Old Groaner in two films, Star Spangled Rhythm and Duffy’s Tavern, but he later went out on his own in the late 1950s with roles in movies such as Holidays for Lovers, A Private’s Affair, Battle at Bloody Beach and Girl Happy.  Gary’s entertainment legacy was more prominent on the small screen, however: he was Eddie, the fast-talking sidekick to bellboy Jose Jimenez in the first season of The Bill Dana Show, and later played the role of Officer Ed Wells on Adam-12.  Among his other television work: Ensign O’Toole, The Twilight Zone, Julia, Emergency! and Hunter, to name just a few of the many.  (He also earned a great deal of notoriety with the publication of Going My Own Way in 1983, an autobiography that detailed the physical and emotional abuse he often suffered as Bing Crosby’s son.)

PETE: So tell me—what brings you up here?
SAM: Well, I’m up here…er…attending a city manager’s conference…
PETE: Oh, yes…seems to me I did hear about you becoming a big wheel down there in…uh…what is it, Weaver City?
SAM: Weaver City?  No!  No…please…Mayberry…Weaver City’s a bad word…

“Hey!  My wife’s family comes from Weaver City, asshole!”  During the course of their riveting conversation, we learn that Sam’s buddy Pete works for NASA—his reason for being at Duke is that he is overseeing a series of moon rocks displays around the country.

SAM: Uh…you wouldn’t happen to have an extra one lying around…that we could show in Mayberry…do ya?  Old pal?  Old buddy?
PETE: Uh…no way…old pal…old buddy…
SAM: Uh…that’s too bad…that’d be a great thing for a little town like ours…
PETE: Yeah, I know, Sam—but I’m workin’ on a real tight schedule…
SAM: Hey…do you remember, uh, Howard Sprague?  The guy who went fishing with us that one time?
PETE: Is he the guy with the nasal condition?

Every episode…one laugh-out-loud moment.  Sam, knowing what a fanatical rock hound Mayberry’s pedantic county clerk (Jack Dodson) is, would really like old buddy Pete to make a stop in Mayberry so that Howard could get a glance at a genuine moon rock (Sam sort of owes Mistah Sprague a favor, since Howard is “holding down the fort” in his absence.)  “Say, Pete—as long as you’re driving to Atlanta anyway…how about stopping by Mayberry and at least having lunch with me, huh?” asks Sam, as he slyly sets his trap.

“Now that I can do,” assures Pete.  “And while you’re there, we could…pull down the blinds and…we can show a moon rock to Howard,” finishes Sam, successful in trapping his prey yet blissfully unaware of the picture he’s now burned onto the retinas of everyone that’s tuned in.

Pete agrees to the arrangement—but stresses that the display is only for Howard’s benefit.  So why does Sam call Howard with the news, knowing full well Mayberry’s all-too-curious phone operator Sara could be listening in?  Because this episode would have only been three minutes long if he hadn’t.


HOWARD (on the phone): Moon rocks?!!  Would I!  There isn’t an amateur geologist in the country who wouldn’t give his eyeteeth to see a lunar sample!  Wow…what a feather in my geological cap that’ll be!

“I’m getting a stiffie just thinking about it!”

HOWARD (still on the phone): What?  Oh…sure…oh, sure—I understand…certainly…tell your friend he has nothing to worry about…mum’s the word…mum’s the word…yeah…okay…see ya tomorrow!

You know what’s coming.  Howard turns around and finds…


GOOBER: Moon rocks, huh?

Cue the sad trombone!

HOWARD: Goober!  How long have you been standing there?!!
GOOBER: Long enough to hear you say “mum’s the word” and all that—what’s it all about?

“You realize that I now have to kill you, Goober.  This just isn’t your day, pilgrim.”

HOWARD: Nothing…nothing, just forget it…
GOOBER: Okay…if you don’t wanna tell me…
HOWARD: That’s right—I don’t…

Howard, Howard, Howard.  You surely know by now that the only surefire method of getting Goober to move on to another topic is with the use of a shiny object or perhaps that antique coin the Bowery Boys always used to hypnotize Huntz Hall.  Because the curious Goober takes less than an eye blink to ask Sara the operator where that call to Howard came from, and he soon confronts him outside the Mayberry Foodstuff Emporium, where Howard is purchasing groceries from an unidentified tradesman.

GOOBER: Howard! (He startles Howard slightly) He’s in on the big secret, too—huh?
HOWARD: No, he isn’t!  Goober, will you please drop it?!!
GOOBER: I’ll bet Alice knows…I’m gonna ask her what she knows about moon rocks!
HOWARD: Will you please not mention it to anyone!!!
GOOBER: Why?
HOWARD: Because nobody’s supposed to know they’re coming here!
GOOBER (loudly): Moon rocks are comin’ to… (Howard puts his hand over Goober’s mouth)


Two ladies walk by at this moment in time, and kind of give Howard a quizzical look as they witness him with his hand clasped over Goober’s mouth.  (Good for a chuckle.)  Howard then tells Goober that he’ll fill him in on the “moon rocks” details if he’ll just keep his big bazoo shut.

“I can keep a secret as good as you can,” responds Goober hurtfully.  But in a scene dissolve, we find the mentally challenged grease monkey at his humble gas station pressing his pants…and because there’s not nearly enough idiocy in this scene, he is soon joined by fix-it savant Emmett Clark (Paul Hartman).

EMMETT: Whaddya doin’?
GOOBER: I’m ironin’…what does it look like I’m doin’?
EMMETT: I know that…heh…you’re pressin’ your deputy sheriff’s uniform—there must be a new crime wave…kindergarten kids been puttin’ slugs in the gumball machine?
GOOBER: Very funny…well, it just so happens that I may have to guard somethin’…
EMMETT: What?
GOOBER (quickly): Nothin’…I mean…I’m just…gettin’ prepared…in case somethin’ valuable comes to Mayberry…
EMMETT: Fergus the Jeweler gettin’ in some new zircons?

Fergus the Jeweler?  I’ll bet those TV commercials are a riot.  (“He went to Fergus...”)  “It ain’t no use you pumpin’ me…my lips are sealed,” he assures his friend…and then he becomes aware of the arrival of two yokels outside when one of them calls out: “Hey, Zeke—what’s the name of this burg?”

“Oh, it’s them wise guys from Weaver City,” grumbles Goober as he sets down his iron.  And with that, let’s meet them.


I should first state for the record that neither of these “wise guys” is named “Zeke” (so I don’t get the joke, either).  But the actor playing “Eddie” is “Deputy” Don Melvoin, a thespian who had a brief career in films and television, with a role in 1980’s Somewhere in Time and guest shots on the likes of The High Chaparral, Bonanza and Night Gallery.  But Melvoin’s face is more than likely familiar to those people in the viewing area of Traverse City, Michigan’s WPBN-TV: in the 1950s, Melvoin was kiddie show host Deputy Don, and when the Hollywood thing didn’t pan out as he hoped he went back to WPBN to not only resurrect Deputy Don but become the titular host of Count Zappula’s Horror House (Melvoin also hosted daytime movies as well).


The other yokel, identified as Tom, is Eddie Firestone, Jr.—a radio, television, film and stage veteran whom most old-time radio fans will instantly identify as Joey Brewster, the Henry Aldrich-wannabe of That Brewster Boy.  Firestone’s other radio gigs include Let George Do It, Family Theatre, The Life of Riley, Honest Harold, Suspense, This is Your FBI and Dragnet.  He was a favorite of that program’s auteur, Jack Webb, who used him in both the original 1951-59 and 1967-70 incarnations of the TV version; Firestone also guested on such shows as The Untouchables, Bonanza, Perry Mason, Gunsmoke and Mannix.  His film roles include Joe Butterfly, The Law and Jake Wade, Two for the Seesaw and Duel.

GOOBER: It’s Mayberry, and you know it, Eddie!
EDDIE: Yeah…I keep forgettin’…couple of gallons, Goob…but don’t put any of that Mayberry water in my nice clean radiator…
TOM: Try to hurry it up… (Coughing) This smog here is killin’ me!

Let the battle of half-wits begin!

GOOBER: You guys are a laugh a minute…

We should be so lucky.

GOOBER: …of course, you need a sense of humor to live in Weaver City…
EDDIE: Say, Goob—didja hear the news?
GOOBER: What news?
TOM: Don’t tell him, Eddie—it’ll break his heart!
GOOBER; Don’t tell me what?
EDDIE: Oh, nothin’…except that we’re gettin’ a new library in Weaver City…
TOM (holding up fingers): With two wings…

What…so it can fly?

GOOBER: A library, huh?
TOM: Yeah!  We can read over there!
EDDIE: You can hear about it on TV tonight…you do have TV here, don’tcha?
GOOBER: Darn right we do!  We got everything that Weaver City has…and more!
TOM: Except a new library…
EDDIE: Of course, Mayberry does have the new dump…

“Yeah?  Well, why don’t you drive down there and dispose of yourselves?”  Okay, enough of this witty banter…you know what’s coming, and I won’t disappoint you…wait for it…

GOOBER: Is that so?  Well, we’re gettin’ the moon rocks!


“Moon rocks?” asks Tom.  This is bad, this is very, very bad—but Goober has compounded his fox paw by shouting this within listening distance of Emmett “Gabby” Clark.  “So that’s what why you were pressin’ your uniform, huh?  That’s what you’re gonna be guardin’!!!” Emmett says excitedly.

TOM: You mean they’re bringin’ ‘em here?
GOOBER: No!  I mean…they ain’t here yet…I mean…it’s a secret…you ain’t supposed to know—forget I said anything about it!!!  You, too, Emmett!!!


Goober turns around in Emmett’s direction…no Emmett.  That’s because Mr. Clark has borrowed Mr. Pyle’s phone to tell his beloved spouse Martha (played by Mary Lansing, when they allow her to appear on the program) all about the secret moon rocks.

As I have mentioned so many times on the blog in the past…I grew up in the town of Ravenswood, WV—which I have previously calculated was actually smaller than the fictional Mayberry.  And I also know that if you had planned to reveal anything remotely secretive to anybody in that burg the only way to accomplish it was to use the freakin’ Cone of Silence.

GOOBER (entering the council office with Emmett in tow): Howard…Howard…you might as well know—Old Big Ears here found out about the moon rocks!
HOWARD: What?!!
GOOBER: Well, you tell him this ain’t gonna be no public showin’…
HOWARD: Well, how did he find out about it, anyway?
GOOBER: Well, that don’t make no diff’rence—just tell him he ain’t gonna see ‘em…
HOWARD: That’s right, Emmett…Sam arranged a private showing for me because he knows I’m interested in things geological…
EMMETT: Are you tryin’ to tell me he ain’t even gonna let Mike see them moon rocks?  His own boy?

“He’s not taking any chances.  That kid might eat one!”

HOWARD: Well, he’ll probably let Mike see them…
EMMETT: You see—that makes two…already you don’t know what you’re talkin’ about…
GOOBER: Seems to me if he can show ‘em to two he can show ‘em to three…
EMMETT: Four!

Incoming…

ALICE (bursting through the council office door with Myrtle following): Howard, when will the moon rocks be in town?
HOWARD: Alice!  How did you find out about it?!!
ALICE: Martha called me!
HOWARD: Martha?!!

To the moon, Alice!

ALICE: Well, Howard—when will they be here?  The Women’s Club has to know if we’re going to serve refreshments!
MYRTLE: I thought I’d make a green cheesecake!  Wouldn’t that be clever?
GOOBER: Yeah!  That sounds good!

I kind of laughed at this scenario…not because of the dialogue, but because I’m very impressed at how Alice—who was a pathetic wallflower type just demobbed from the service in “The New Housekeeper”—has fully blossomed into the take-charge Aunt Bee role.  As for Myrtle (Maudie Prickett)—sadly, this is her last time on Mayberry R.F.D.  Prickett, best known as gal pal Rosie Hammaker to Shirley Booth’s Hazel Burke on the sitcom Hazel, seemed to function merely as a sounding board to Aunt Bee when Frances Bavier was still on the program.

HOWARD: Wait a minute!  Wait a minute!  You’re all jumping ahead of yourselves!  Sam said it was just for me to see!
ALICE: Oh, that’s silly!  You know if we want to see them, Sam will show us…
GOOBER: Yeah!  He’s too nice a guy!
MYRTLE: And we are taxpayers!
EMMETT: Yeah, it’ll be a big thing for the merchants… (Turning to Howard) Are you sure you just ain’t tryin’ to hog the whole show?


Howard’s protests are ignored, because Alice and Myrtle have decided to continue preparing the celebration just in case.  A scene dissolve finds Sam returning to Mayberry, briefcase in hand…and Howard meets him outside the council office, grinning in that way one does when the fit is about to hit the shan.  In fact, Sam ironically comments that the conference was a real revelation: “You can really appreciate Mayberry when you see some of the problems these other cities have around here.”

Will Howard tell Sam that Project Moon Rock has snowballed into a genuine clusterfudge?  Well, he makes a sporting try at it but Sam waves him off, wanting nothing else to do but put his briefcase in the office and head back to tending his crops the bosom of his loving family.  Instead, he opens the door and finds…


…it’s apparently Election Night in Mayberry.  Much milling around and people discussing at tables, which did make me laugh.

ALICE: Welcome home, Sam!  You’re just in time to help plan the festivities!
EMMETT: Oh, it’s gonna be a big boost to the business community!
MYRTLE: Thanks to you, Sam!
SAM: Well, you’re welcome!  Now what are we talking about?
ALICE: Why, the moon rocks!


As my BBFF Stacia has stated before—no one does “shame face” better than Jack Dodson.  This laugh is punctuated by Sam’s turning to him and saying “Howard…” before Howard interrupts with “I tried to tell you…” as he points outside.

ALICE: Now, Sam…don’t blame Howard—you know you can’t keep a secret in a town like this!
GOOBER: Besides—this could be the biggest thing that ever happened to Mayberry!  We figgered there wasn’t no sense in wastin’ it on Howard…
SAM: Wasting what?
EMMETT: The Mayberry moon rock display!
SAM: Display?
GOOBER: At the museum!
HOWARD (sheepishly): Yeah…they want me to show my rock collection, too…
ALICE: And the Women’s Club is serving refreshments…
MYRTLE: And I’m going to make one of my green cheesecakes! (Laughter in the room) Get it, Sam?  Green cheese?

Sam is having difficulty understanding how something that was originally supposed to be “a private showing” has snowballed into a venue for green cheesecake…and while everyone continues to excitedly talk about ideas for the event, his cretinous son Mike the Idiot Boy (Buddy Foster) enters the council office to tell his Pa they’ll be letting everyone out of school to view the rocks.

“See, Sam—you can’t keep the Mayberry kids out of the Space Age,” observes Howard. 

“I think we should have a big banner across the street like when Art Linkletter came through,” Emmett offers up.  (I’ll bet that’s the only time in his career when Linkletter discovered that the title of his show was a misnomer.)

Sam, being the responsible parent in the room, now has the unpleasant duty of having to explain to everyone that he’s turning the car around and they’re going right back home.  “Now…my friend from NASA was going to stop by here for lunch—and as favor to me, he was going to show the moon rocks to Howard.  And I promised to keep it a secret.  Now somehow, it seems to have gotten out of hand,” Sam complains, staring straight at Howard.

“Well, there’s no harm done,” counters Emmett.  “Yes, there is, Emmett,” Sam continues.  “I made a promise I can’t keep.  So there’s only one thing I can do…I’m going to call my friend, and tell him what happened…and call the whole thing off.”  The reaction from the room is comparable to Sam telling them there’ll be no ice cream for dessert.

SAM: Nobody is going to see any moon rocks…
HOWARD: Except me, of course…
SAM: No, Howard…especially not you…not now… (He goes out the door)
HOWARD (plaintively): But Sam…
GOOBER: Blabbermouth…

Normally I would feel sorry for Howard…but this is kind of his fault.  He could have avoided this by saying, “Hey, Goob—let’s go out to the new dump and shoot rats.”  And then just made sure he was the only one who returned.

Well, Sam’s soliloquy brings on a commercial break, and upon returning from shilling for General Foods we find Sam enjoying a leisurely country breakfast.  A man must eat a hearty first meal of the day when he’s got a day of chores a-waitin’…so Sam is just having toast, lightly buttered.

ALICE: Breakfast all right?
SAM: Mm-hmm…fine, Alice…thanks…

“I can’t figure out what went wrong…there was enough rat poison in that oatmeal to bring down a polar bear…”

ALICE: You know…it’s amazing, Sam…absolutely amazing…
SAM: What?
ALICE: How can you have such a big appetite after you’ve disappointed the whole town…

Day-amm, Alice!  You’ve clearly been taking night courses at the Irene Shreve School of Guilt.  Sam’s position is that the matter is no longer under discussion because “we covered this whole thing last night and there is nothing I can do about it.”

Alice knows when to tactfully retreat.  But she adds: “I suppose Myrtle can save her green cheesecake for St. Patrick’s Day.”  The writers then decide to add young Mike into the mix, who enters the kitchen and greets the lady who cooks his meals and cleans his room with a cheery “Hi, Cousin Alice.”  He does not, however, acknowledge the presence of his father…something Sam would be well advised to get used to and enjoy.

SAM: Morning, Mike…
MIKE: Hi, Pa…
SAM: Okay…let’s hear it from you, too…
MIKE: Well, gee whiz, Pa…I wanted to see the moon rock!
ALICE (snidely): Good luck…

Sam is having little luck explaining to either relative that it’s simply not possible to have a public showing of the find of the century in a little pissant town like Mayberry.  But he is amenable to driving Mike down to Atlanta over the weekend so they can see it there.

“I don’t know, Pa,” replies Mike.  “I don’t think I wanna see it if my friends can’t.”  Mikey me boyo…do you think for one second that Harold or Richard wouldn’t sell the playing cards in their bicycle spokes for a chance to see the moon rocks without you?

SAM: Mike, the man in charge said no!
MIKE: Well…maybe he can talk to his boss…or maybe you can write to a senator or something…
SAM: Look…why don’t you hurry up with your breakfast and…I’ll give you a ride to school…
MIKE: I think I’d rather walk today…

“Yeah…I’ll walk to Mr. Sprague’s office.  And see what kind of paperwork I have to fill out to have my name changed.”  Well, public opinion on Sam’s decision is not in his favor in town, either.  Sam has to listen to Emmett bitch as the fix-it man cleans a painted sign from his window announcing that he’ll fix vacuum cleaners as part of a “moon rocks special” for the princely sum of $3.98.

EMMETT: …the Mayberry economy ain’t exactly boomin’, you know…moon rocks would have been a big help…
SAM: Yeah, I know that…
EMMETT: Yeah…gettin’ our hopes up and then shootin’ ‘em way down…you know—I voted for you because you were supposed to be a doer…only now that I think back on it…you ain’t done so much!

This is an interesting conversation.  Sam Jones’ first appearance in Mayberry was on the old Andy Griffith Show, in an episode entitled “Sam for Town Council.”  The plot has Emmett planning to run for a vacant council seat, and a small chunk of the Mayberry power structure—including Sheriff Andy Taylor hisownself—is repulsed by the notion, so they talk Farmer Jones into running against Emmett Clark.  Sam wins the election—and Emmett eventually comes around to acknowledging that the people have spoken…the bastids.


Now…between that episode and the one I’m dissecting now—there has never been another election in Mayberry.  Which is surprising—you’d think the writers would have come up with at least one idea for such an episode…but instead they frittered away their time with idiotic outings about bicycle clubs and toupees.  And the makeup of the town council changes at the whim of each episode; eventually, Howard, Goober and Emmett are all on the town council despite my disbelief that any serious-minded voter would make a check next to their name.  (Then again…when you consider some of the bozos in public office now…maybe it’s not so hard to believe.)  What I’m trying to say here in my typically longwinded fashion is that with the absence of any kind of election on R.F.D. this can only mean that Emmett voted against himself in the episode “Sam for Town Council.”  That means even he knows if he were to hold public office it would bring down the very foundation of civilization as we know it.

Emmett ticks off a list of Sam’s disappointments, starting with his failure to get Miss North Carolina to come to Mayberry’s Fourth of July picnic.  “No, and I didn’t get us Expo 70, either,” says Sam angrily—a reference to the World’s Fair held in Osaka, Japan that also featured a moon rock from the Apollo 12 mission on display.  Just then, a couple of women walk by and give Sam the cold shoulder…suggesting that when there is finally an election in Mayberry Sam will need to start kissing hands and shaking babies.  (Wait…that can’t be right.)

A scene shift finds us in the Mayberry Museum, where Howard is kvetching to Sam about all the hard work he did putting together his rock collection, categorizing and printing up note cards.  (Something I have a feeling he enjoyed better than sex.)  Goober, also on the scene, chimes in: “What about me?  I’ve been bustin’ my brains out readin’ that pamphlet on security precautions.”

Howard spent the bulk of his time mounting a nice tourmaline stone that he found in the god-awful second season “Palm Springs” story arc that was mur-der getting through.  Sam is at a loss for words, and Goober tells him: “Say somethin’ nice…you already broke his heart!”

HOWARD (holding up the tourmaline): Took me two hours to mount this…
SAM: Well…that’s…that’s very nice, Howard…
GOOBER: Show him that atheist you dug up in Mexico, Howard…
HOWARD: That’s amethyst, Goober…

Yes, I laughed out loud at that.  “Oh, what’s the difference now, though,” whines Howard.  “It’s bad enough I don’t get a chance to show the folks my collection but now I don’t even get to see a moon rock!”

SAM: Oh…come on now…they…they’ve got a very tight schedule for showing these rocks!  NASA isn’t going to change that just for us!  W-What do you want me to do—do you want me to write our senator, like Mike suggested?  Or maybe I should wave a magic wand, huh?
HOWARD: There’s no use in getting defensive about it, Sam…this isn’t an election year…

Howard decides to leave his rocks in the museum for a couple days—“Might as well give folks a chance to see them at least.”  Both Howard and Goober are ladling a lot of guilt on Sam about this fiasco even though it’s typically not his fault (the only blame to be shouldered is that he still lives in Mayberry when he should have bolted years ago).  Finally Goob and Howard admit that maybe they were a little bit at fault, and Sam says the best thing for everybody is just to forget about the whole affair and put it behind them.

“You can count on me,” Goober remarks in his usual stupid fashion.  “As a lawman, I’m trained to keep my mouth shut.”  (Too…many…sarcastic…comebacks…can’t…decide…which…to…use)

The quiet lawman emerges from the museum and prepares to mount his bicycle when the two members of the Weaver City chapter of MENSA ride up in Eddie’s jeep.

EDDIE: When are you gonna get that moon rock?  We ain’t heard anymore about it!
GOOBER: I can’t talk now…I’m busy!
TOM: You don’t look busy…
GOOBER: Well, I am!
EDDIE: We came all the way down here to see it—thought we were gonna see it today!
GOOBER: Whatever gave you that idea?
TOM: That’s what you told us!
GOOBER: Well, what’s the difference? (Condescendingly) In Mayberry, we don’t have to brag about every little bitty thing that happens…I’ll see ya around…
TOM (getting out of the jeep): Hey, Goob…now level with us… (Eddie gets out of the jeep, too) Mayberry is gettin’ a moon rock, ain’t it?  Or did somebody just make that up?
EDDIE: Some guy who’s jealous ‘cause Weaver City’s gettin’ a new library…
GOOBER: We do, too, have moon rocks!
EDDIE: Prove it!

Back against the wall, Goober escorts the two men into the museum…and tries to pass off Howard’s Palm Springs tourmaline as the “moon rock.”  For a brief shining moment, it looks as if he might successfully pull off the charade…but then Eddie, the brighter of the two, notices the card underneath that reads: “Tourmaline, Palm Springs, California.”

GOOBER: Well, ain’t you ever read Buck Rogers?  I mean, everybody knows that the moon originally busted off from the Earth…
TOM (hooting): Oh, boy—did you hear that?  The moon came from Palm Springs! (He starts cackling)
EDDIE (patting Goober’s shoulder): Good try, Goob…good try…
TOM: What did you say the name of this burg was?
EDDIE: Phoneysville, USA!

Goober has gambled on his superior intellect (ha!) and lost.  In a scene dissolve, Goober sits forlornly at the table in the council office as Sam, Howard, Emmett and Alice look contemptuously at him.  The Goob tries to explain that he did what he did “them guys were sayin’ bad things about Mayberry…”


“Well, they’ll be sayin’ worse now,” counters Emmett.  And how—as Howard reads from the latest edition of the Weaver City Daily News:

HOWARD: Listen to this: “Promises, promises…green with envy about the new Weaver City Library, Mayberry promised the moon and delivered the usual nothing…did they really feel the substitution of insignificant rocks from Palm Springs would fool certain citizens from Weaver City?  Or were they hopefully trying to gain fame by perpetrating the biggest fraud of the century?”  Now we’re going to be the laughingstock of the county!

An entirely new experience for Mayberry citizens, I’m sure.  “And what do they mean, ‘insignificant rock’?” continues Howard.  “That was my best one!”

Oh, now they’ve done it.  Now they have done it.  Nobody, I repeat, nobody disses the rock collection of Howard W. Sprague!  “I guess I done a dumb thing,” Goober says apologetically and without any trace of a startling revelation.

“All of this wouldn’t have happened if somebody had come up with the moon rock like somebody promised,” Emmett continues to piss and moan.  Sam, knowing he’ll probably hear this bullsh*t for the rest of his life in Mayberry, decides that now is time for decisive action—he’ll make one more final plea to his pal Pete.  “Want me to come along and help ya?” asks an eager Goober.  Sam tells him no…but it would be funnier if there was a “hell” placed in front of it.

Pete would love to help his old friend out…but his hands are tied.  He and Sam discuss the matter back and forth until they are interrupted by the ringing of Pete’s phone.  Pete answers it, has a few words with the party on the other end and even gives Sam a look during the conversation.  Having completed the call, Pete looks at his friend:

PETE (sighing): All right, Sam…how’d you swing it?
SAM: What?  Swing what?
PETE: That was my boss on the phone…I just got an order to set up a moon rock display in Mayberry…
SAM: No…you’re kidding!
PETE: No…no kidding…tomorrow morning…come on…what did you do?
SAM: Well…uh…I don’t know, Pete…I don’t know!  I just…but…everybody said I could do it, and…you know something?  I guess they were right…


Behold the moon rock display!  As predicted, it proves to be a sensation in a town where the installation of a new flag pole is considered big doin’s.  Goober, dressed in his deputy sheriff duds, is providing “security” while the rock is on display, and Howard is proudly showing his collection to Mike and a few nameless school chums.  The kids aren’t at all impressed with the Sprague collection, however, and hurriedly get back in line to see the moon rock again, prompting this priceless Howard reaction.


Pete’s boss, Charlie Hendricks, has made an appearance at the Mayberry display and Pete introduces him to Sam…


…his face may not be familiar, but his voice will certainly will be.  Character actor Tyler McVey has an old-time radio resume that includes shows like The Lux Radio Theatre, Cavalcade of America, The Smiths of Hollywood, Family Theatre, Fibber McGee & Molly, Wild Bill Hickok and Yours Truly, Johnny Dollar.  On the small screen, Tyler appeared as Maj. Gen. Norgath in the short-lived 1959-60 series Men Into Space and guested on such shows as You are There, Alfred Hitchcock Presents, The Life and Legend of Wyatt Earp, Gunsmoke, Wagon Train, Checkmate, Voyage to the Bottom of the Sea and The Wild Wild West.  His films include The Day the Earth Stood Still, From Here to Eternity and Seven Days in May.

HENDRICKS: I…uh…flew down to see that everything was all right…
SAM: Oh, everything’s just fine…I want to thank you for everything you’ve done…but if you don’t mind my asking, Mr. Hendricks—how did all this happen?
PETE: Yeah…I’ve been wondering about that myself…
HENDRICKS: No big mystery…I, uh, got a phone call from your senator…respectfully requesting that I, uh, get a moon rock for Mayberry…
SAM: Our senator?
HENDRICKS: Mm-hmm…oh, it happens every now and then…seems he got a letter from, uh, a disappointed little boy here in Mayberry…and it…kind of got to him…
SAM: No kidding?  Boy…it must have been Mike!  (Laughing) How about that boy?
HENDRICKS (pulling the letter from his pocket): No…that…that wasn’t the name…I’ve got the letter right here…it’s kind of hard to read this…childish handwriting…it’s from a little boy who kind of has an…unusual nickname…Goober Pyle?

Yeah, you can’t tell me you didn’t see that coming.  I especially enjoyed the reference to Goob’s “childish handwriting”—because he’s practically illiterate!  (Okay, that’s a little harsh—I’m sure both his parents were married.)  Sam runs over to tell Goober this little tale but Mayberry’s fearless deputy sheriff is too busy cackling at a joke Howard’s made: “One small step for man…one giant leap for Mayberry.”  (Eight more episodes of this to go, and our long national nightmare will be over.)


The coda on this one is kind of amusing: Goober is reading (see what I mean?) a reply he received from the senator regarding the moon rock events to Howard and Sam at the gas station—“And it ain’t one of them mimeographed ones, neither.”

GOOBER: Says he appreciates me callin’ attention to the problem…gives me some personal advice, too…he says America needs young men like me…wants me to work hard and mind my mommy and daddy…of course, I always do that…here’s the big surprise—it says right here…if I ever wanna go to West Point, he’ll gimme a letter… (After a pause) I never knew they took guys my age…?

Well, character actress Alice Ghostley is certainly earning her keep on the third and final season of Mayberry R.F.D.—she’s in this episode, which means that Thrilling Days of Yesteryear’s patented Alice-o-Meter™ moves up another notch to chart nine appearances for Cousin Alice in total on the series.  In fact, Ghostley has already racked up more show-ups than Mary Lansing…whose Martha Clark may have only been mentioned in passing this week, but who will chalk up her eighth appearance on R.F.D. on our next installment of Mayberry Mondays.  If watching two people be positively horrible to one another in a loveless marriage is your idea of big laughs—then you’re gonna love “The World Traveler.”  (Oh, and our favorite bakery counter girl—Millie Swanson [Arlene Golonka]—will be back next week, too.)

Saturday, January 5, 2013

Don Winslow of the Navy (1942) – Chapter 2: Flaming Death




OUR STORY SO FAR (taken directly from the “crawl” that opens Part Deux): Comdr. Don Winslow, U.S. Naval Intelligence, is sent to Tangita, United States island in the South Pacific, to investigate Sabotage in connection with the construction of a Naval Base at Rondana Bay, Tangita’s fine harbor.

LEARNING that the “Baratavia”, a freighter enroute with supplies to Rondana Bay, is to be sunk by a “human torpedo”, Don and his loyal friend, Lieut. “Red” Pennington, race to the rescue in a “mosquito” boat and…


…well, you saw it from last week’s YouTube video—the “mosquito” boat collides with the “human torpedo,” destroying them both.  Was our hero Don Winslow (Don Terry) killed in this collision?  He most certainly was not!  He managed to abandon ship at the very last second…otherwise this serial would be called “Red” Pennington of the Navy.


Winslow swims to where Red is treading water with a live preserver.  “Good boy, Don!” Red enthuses.  “You saved the Baratavia!”

“You mean we did,” his pal answers back…conveniently forgetting that Red was ordered to bail shortly before the boat smashed into the torpedo.  (As for poor Tranker [Arthur Loft]…well, he’s in a better place now.  And by that I mean away from this serial.)  “I hope they pick us up!” offers up Red in an attempt to make small talk.  (“I hope they don’t leave us here for the sharks!”)

On board the Baratavia, the dependable old sea dog known as Captain Fairfield (Paul Scott) gets a visit on the bridge from Michael Splendor (Wade Boteler), business partner of the man in charge of constructing the new base on Tangita, John Blake (Ben Taggart).  It was noticeable in the last chapter but becomes increasingly evident by now that the character of Splendor is really just a reboot of The Green Hornet’s Michael Axford (a part also played by Boteler in two serials)—they could have saved themselves some trouble and just called him “Axford” though they may have been restricted from doing so for legal reasons.  Anyhoo, Splendor asks the cap’n if he’s investigated that “explosion,” and Fairfield responds that he’s sent a boat out there.  “There seem to be a couple of men swimming out there,” he says, rather nonchalantly.

There is then a quick cut to Winslow’s ship, the Destroyer 620, which is being piloted in his absence by the wildly enthusiastic Lt. Cmdr. Grady (Dirk Thane).  A crewman tells Grady that the 620’s radio operator still hasn’t been able to contact the Baratavia…and that’s because, unbeknownst to the crew, the Baratavia’s radio is still being repaired.  Because Grady is not really engaged in anything besides babysitting Winslow’s ship (it’s not like he’s battling saboteurs like Don and Red), we quickly move away from his lame part in this scenario and back to the Baratavia, where Don and Red have since been rescued from the drink and are on the bridge with Fairfield and Splendor.

DON: …so you see, gentlemen, the only way to stop the human torpedo was to ram it…
FAIRFIELD: You not only saved my ship, Commander Winslow…but the lives of these skilled workers and the cargo, supplies and equipment…
SPLENDOR: You know, Don…this human torpedo thing sounds like the shenanigans of The Scorpion!

Axford…I mean, Splendor pronounces that last word as “Scar-pian”…giving further credence to my belief that the filmmakers told Boteler: “Just play him like you did that Irish boob in the Hornet serials.”

DON: We could have made sure if the crook who killed your operator and wrecked the radio hadn’t made his escape…
FAIRFIELD: He’s still somewhere aboard this ship!
DON: Then we’re going to find him!
FAIRFIELD: How?  Nobody saw him!


Au contraire, mon Capitan!  As if it were neatly plotted, Red comes rushing onto the bridge with a crewman, played by Phil Warren.  Warren had a lengthy if not particularly distinguished career in B-pictures and serials; his movies include King of Alcatraz, Badman’s Territory, The Falcon’s Adventure and Superman and the Mole Men.  He turns up in bit parts in many of Universal’s serials, notably the last three chapters of The Adventures of Smilin’ Jack; he was also in the risible Republic chapter play Dangers of the Canadian Mounted.  Mole Men would be his cinematic swan song; he left acting to become a retail advertising manager—first for the Los Angeles Mirror, and then for the Los Angeles Times when the Mirror folded in 1962.

Crewman Warren witnessed a suspicious passenger hanging around outside the Baratavia’s radio room shortly before the radio operator snuffed it…and though he didn’t see the man’s face; he tells Don that if he lined up the passengers he’s certain he could make a positive I.D.  Sadly, our would-be hero will not get that opportunity because the real culprit in the operator’s killing, the increasingly loathsome Paul Barsac (John Holland), just happens to be conveniently lurking outside the bridge…and he quickly ensures Warren’s silence by inserting a bullet into him, then tossing the gun overboard.

This sort of thing happens all the time in the Charlie Chan movies.  But before the crewman draws his rations, he hands an object to Don that Barsac dropped after Warren initially frightened him off.  It appears to be an insignificant key chain …but then Mr. Naval Intelligence holds it up to a mirror…


RED: Looks like your hunch was right, Mike!
SPLENDOR: ‘Tis The Scorpion, all right!
DON: This proves the murderer on this ship is working for The Scorpion…
FAIRFIELD: I’ve heard of The Scorpion…isn’t he some sort of legendary spy master?

“And wasn’t he also the villain in The Adventures of Captain Marvel?”

SPLENDOR: Spy genius, Captain…and he’s no legend, blast his hide…
DON: We now know who The Scorpion’s gang is working for…
RED: You can bet their biggest job is to prevent our Navy building a submarine base on Tangita Island!
DON: Right!  That makes it more urgent than ever that we capture the murderer aboard this ship…

Captain Fairfield thinks that will be a pretty tall order…but has failed to reckon with the amazing deductive powers of Winslow, who believes the identity of the rogue passenger can be discerned by “checking the code messages received by passengers on board this ship!”  “That’ll do it, laddie,” confirms Splendor in an admirable display of butt-kissing.

“And when we’ve found him,” warns Don, “the first thing we’ll make him do is tell us where The Scorpion’s headquarters are located on Tangita!”


After a couple of quick stock footage shots of lovely Tangita Island (“Come for the breadfruit…stay for the dysentery!”) and the island’s main industry, the Tangita Gold Mine…we find “brains heavy” Spencer Merlin (John Litel) putting out a cigarette just outside the mine entrance.  This same footage of Litel was used in the last chapter, and I’ll be amused to the point of laugh-out-loud mirth if they continue to feature this bit in each subsequent installment.  After descending to Scorpion Headquarters in the usual fashion (the mine’s elevator) and navigating his way through the mine, Merlin joins his lieutenant, Henchman Prindle (Robert Barron), in front of the big screen TV where the two men will receive this chapter’s orders from none other than The Scar-pian himself.


SCORPION: I received your message, M-22…I cannot not tolerate failures…the Baratavia must be sunk before her cargo is unloaded…use a submarine…Winslow is holding the passengers aboard ship, placing Barsac in constant danger of discovery…Winslow must not reach him…my orders to capture Winslow and hold him a prisoner must be obeyed…

If The Scorpion is well aware as to what’s going down on the Baratavia (i.e. Don’s search for the saboteur)—why doesn’t he have the confederate who’s feeding him that information capture Winslow instead of entrusting it to Spence and his crew?  We do not learn the answer to this.


MERLIN: The Scorpion’s right…the Baratavia must be sunk before Winslow finds out about Barsac… (To Prindle) Get the Z-52 ready…
PRINDLE: Sorry, M-22…but both submarines will be tied up until our undersea oil well’s repaired…
MERLIN: The perfect sub base…entrance hidden from the sea…enough oil on the ocean floor to refuel an entire Navy…and now it’s useless!  I don’t want excuses—have that oil well operating within the next 24 hours!


Merlin, having been chewed out by his superior (The Scorpion), has no other course of action but to give his underling a right pranging—that’s how the whole chain of command thing works.  We then shift to the office of John Blake, where we find Seaman Chapman (Peter Leeds) handing a communiqué to Winslow.  It’s a report of the radio messages “sent from Pearl Harbor by Transpacific,” he tells his commanding officer.  Not to be outdone, Nurse Mercedes Colby (Claire Dodd) has scared up “a complete list of  names from Captain Holding,” the head of Naval Intelligence whose acquaintance we made in the first chapter.  Winslow asks Chapman to go outside and round up Pennington, because he’s apparently too lazy to do it himself.

DON: Mercedes…my hunch is right…there’s one message listed by the Baratavia as having been sent by Transpacific which is not on Holding’s list!
MERCEDES: What does that mean, Don?

“I haven’t the slightest freaking idea.”

DON: Well, it means it must have been sent by a secret radio station…
RED (entering the office with Splendor): Did you uncover something, Don?
DON: Yes, Red…we can have Captain Fairfield release his passengers…

“Except for the ones in steerage.  They’re to continue being beaten and given nothing but bread and water.”

SPLENDOR: Then there was no one a’ tall on the list that you can suspect as the murderer?
DON: On the contrary—there was!  And his name…is Paul Barsac!

Dun dun DUN!!!

RED: Great!  I’ll arrest him at once!
DON: No, no…wait a minute, Red…

“Pacing, my friend.  We’ve still got ten more chapters.”

DON: …it won’t do anything to let him know we’ve spotted him…but we’ll have him followed the minute he leaves the ship…

The camera then careens wildly over to an area beside Seaman Chapman (seated at the radio), which cues the audience into letting them know Winslow’s plan is being overheard by Merlin and his goon Corley (Lane Chandler) at a hidden Dictaphone located in a shack on Tangita.  Merlin tells Corley that Barsac will need to be warned, and although Cor volunteers to meet Barsac at the boat, Spence tells him to sit tight…because Barsac will be checking into the Pacific Hotel, and they’ll be able to get in touch with him through a contact known as “Tangita Jim.”  (No relation to Tambosa Tim, by the way.)


I love that wall that slides back to keep the Dictaphone hidden.  Back in Blake’s office, Don paces a bit until Blake and his secretary, Misty Gaye (Anne Nagel), enter.

MISTY: Red just told us you’re releasing the passengers on the Baratavia…

“And not coincidentally, he told me this as he was helping me zip up my dress.”

DON: That’s right…
BLAKE: That’s good news, Commander…I need those skilled workmen to keep going on the new naval base…

They seem to refer to these guys as “skilled workmen” a lot in this serial.  Are they trying to cover up for the fact that they’re really undocumented laborers?  How do they know they’re skilled—maybe they’re just a bunch of mooks who couldn’t pass the physical to get into the service…?

MISTY: Mr. Blake’s already three weeks behind schedule…
DON: Oh…I’m sorry to hold you up, Blake…but it’s important that we get a line on the Scorpion’s gang…

Splendor comes barging into the office with the news that Red’s investigation has turned up an additional tidbit: Barsac has reservations at the Pacific Hotel.

DON: The Pacific Hotel?
BLAKE: It’s the only hotel on the island, Commander…run by a half-caste by the name of Tangita Jim…
MISTY: I have a room there!  I was just going over to freshen up a bit…

Don tells Misty that there will be none of her feminine freshening up by asking her to do him a favor and stay away from the hotel for the rest of the day.  “Anything you say, Don,” she responds with blind obedience.  Turning to Splendor, he says: “Mike…you get up there as quickly as you can…and tell Red…”

We never learn what exactly Mike was supposed to tell Pennington, because a scene dissolve puts us smack dab in the lobby of the Pacific as Barsac enters through the front doors.


Mercedes keeps an eye on Barsac.  (Apparently there’s nothing for her to do in the infirmary.)  Barsac informs the man at the front desk that he has a reservation, and that man is the previously mentioned “Tangita Jim”…who curiously refers to himself in the third person.  T.J. is played by Jerry Mandy, who began his film career in the 1920s and spent a good many years working at the Hal Roach studios as a supporting player in two-reelers headlined by the likes of Charley Chase, Our Gang and Thelma Todd & ZaSu Pitts.  Mandy appears in the 1927 silent classic Underworld, but by the 1930s/1940s he was doing mostly bit parts in films like Sailor’s Luck and On the Avenue.

As Barsac signs the register, “Red” Pennington breezes into the lobby and asks Tangita Jim if Misty Gaye is in.  “Sorry, sir,” replies T.J., “but she left early this morning.”  Because Red was to meet her there, Jim graciously allows him to stick around to wait for her.  Jim announces rather loudly that Mr. Barsac will be in Room 18, and as Red exits the lobby he does a slight head motion towards Mercedes, signaling her to follow him.

Barsac unlocks the door to his room and upon entering, finds it infested with rats.  Oh!  My mistake…it’s just Spencer Merlin.

MERLIN: Took you long enough to report…
BARSAC: I couldn’t help it, M-22…they held us all on board ship…
MERLIN: Thanks to your bungling of the job…
BARSAC: I followed your orders to the letter…
MERLIN (muttering): Yes, I suppose you did…

“Sorry about being so shirty…The Scorpion has really been on my ass lately.”  Spence is a little on edge because of Don Winslow’s presence on Tangita, and Barsac helpfully provides the info that “his red-headed friend followed me here.”  The camera cuts away briefly to Red and Mercedes, with Red asking her to inform Don that he spotted Barsac at the hotel and to come right over.  Back in Barsac’s hotel room, Merlin asks Corley to come out for this interesting development:

Corley is outfitted to resemble Barsac—but the odd thing is that all three men are essentially dressed the same (though the effect is spoiled by the fact that Merlin is the shorter of the three).


BARSAC: Well…that’s quite a…striking resemblance…
MERLIN: Looks enough like you to throw Winslow off the trail…
CORLEY: Yeah…and put me on the spot…
MERLIN: Not if you’re smart, Corley…and lead Winslow into a trap as we planned…

Will this silly plan actually work?  Well, by this time Mercedes has returned with Don (who ends up sending Red to pick up Splendor “at the wharf”) she glances over at the hotel entrance and sees Not-Barsac (Corley)…but she points him out as the genuine article.

DON: He’s heading for that jungle trail…
MERCEDES: You’ve got to stop him!
DON: No…

Maybe it’s too early in the serial…but I’m starting to suspect that Don Winslow is a bit of a lily-livered coward.

DON: …he’s probably heading for that hut where Red and I had the fight…when he comes back with Mike, tell him to wait here…

I’m going to assume Don means Red…and not Not-Barsac.  Don gives chase, and his pursuit of Not-Barsac is witnessed by Tangita Jim…who phones Merlin up in Barsac’s room to give him the skinny.  Spence then tells Barsac that all is going according to plan, and gives instructions to an anxious Barsac on how to get to The Scorpion’s headquarters.

MERLIN (pointing off in the distance): Take that brown car…follow the coast road…
BARSAC: Does that lead to the mine?
MERLIN: No…I’ll be waiting for you on the road at Lookout Point…
BARSAC: Well, that shouldn’t be too hard to find…
MERLIN: Well, be careful you’re not followed…you know what it means if Winslow finds out in any way that the mine is connected with The Scorpion…
BARSAC: Why don’t you let me finish off that nosy commander?
MERLIN: No…The Scorpion is reserving that very pleasure for himself…Winslow must be taken alive…

Pay very close attention here.  The flimsy logic of any serial would dictate that Job Number One is to eliminate the hero…but in Don Winslow, the thugs can’t harm a hair on his chinny chin-chin because the Head Man wants to do it himself.  We will revisit this in subsequent chapters.

On the “jungle trail,” Corley is slowly leaving a path for Don to follow…and as Don rightly guessed (of course—he’s never wrong…he’s Don Freakin’ Winslow!). that path leads back to Dictaphone Hut.  Here’s what I don’t understand.  Wouldn’t a Naval Intelligence officer have had that place shut down and secured by now?  Apparently not, because by the time Don reaches the hut Corley has ducked out of sight…and our hero enters the dwelling with his pistola drawn.  From behind the front door, another henchman answering to “Slug” jumps Don, and Henchman Spike (Ethan Laidlaw) quickly joins in the melee.  Don’s all-too-obvious stuntman is attempting to fight these guys off but the odds in their favor increase when Corley turns up for a pile on.


Spike manages to waylay Winslow with a balsa wood chair, and as the unconscious Don slumps to the floor (and on top of Slug, which sort of made me chuckle) Corley tells his fellow goon: “We’ll throw him in that corner and put a mat over him…you keep close guard over him—I’ve got to report to M-22.”  So the “trap” that Merlin mentioned earlier consists of a simple mat placed over the knocked-out Winslow because, as I have stated in an earlier paragraph, disposing of Don is right out.

Corley instructs Spike to keep an eye on Winslow and not let anyone approach the hut…but for some reason, has Slug come along with him.  I would think that greater numbers hutside would discourage anyone from rescuing Donnie, and I would be right on that score because blundering along the jungle trail in search of Commander Winslow are his pals Red and Mike.  (In case you’re still not convinced that Splendor is channeling Mike Axford, he refers to Winslow as “that hot-headed young spalpeen.”)  The two of them eventually arrive outside the hut and spotting Spike outside throwing darts at a dartboard, Splendor tells Red to circle around the back of the hut while he distracts Spike by shooting his gun into the air.  (No, unfortunately none of them fall back to Earth to kill Mike.)  Red then gets the drop on the distracted Spike, and from inside the hut Don calls out for help.  Spike then hauls ass-and-elbows off into the horizon (like Axford, Splendor is unable to hit the broadside of a barn with his pistol) and when Splendor starts off after him Red interrupts him to say: “It’s no use following him…that jungle’s too thick!”  (“It’s like Don was telling me—we have to make this look good for ten more chapters!”)

Inside the hut, Red and Mike help Don to his feet and start to untie him.


SPLENDOR: Looks like you walked right into a trap!
RED: They sure put one over on us that time!
DON: Yeah…and it was cleverly done…

“Somehow they knew that Mercedes was nearsighted!”

DON: …that wasn’t Barsac I followed!
SPLENDOR: By golly—I think you’re right!

Boy, you could energize a 9-volt battery with the brain power in that hut.  Don decrees that they need to hie themselves back to the hotel and pick up the trail of the real Barsac.  Speaking of which, Mr. B has descended the stairs of the Pacific and dropped a key in front of Tangita Jim at the front desk.  “I’m leaving,” he tells the proprietor.  “You can send my stuff over to headquarters.”

“All right, Barsac,” responds T.J. cryptically.  “But be careful they don’t follow you.”  Exiting the hotel, Barsac fails to notice at first that Mercedes is seated outside, thumbing through a magazine…and she’s able to get a better look at him this time.  He makes tracks for the “brown car” Merlin told him about earlier, and Mercedes decides to follow him…though a bit reluctantly.  But she won’t have to muss herself doing spy work: Don, Red and Mike have arrived back at the hotel just in time.

MERCEDES: Don…something just happened that I don’t understand—another Barsac came out of the hotel, got into a car and drove down the coast road!
DON: That was the real Barsac…let me have the car, Mercedes—I’m going after that crook!
SPLENDOR: Now you’re talkin’, laddie—we’ll catch him!
DON: No no, Mike…you and Red follow me in another car and keep me covered…our friends have a habit of shooting in the back!

“And besides—the cliffhanger won’t make sense otherwise!” Don is shortly in hot pursuit of Barsac, who by virtue of his head start reaches Lookout Point, where Merlin and Prindle are waiting beside another car.

MERLIN: Get away without being followed?
BARSAC: That girlfriend of Winslow’s spotted me as I left the hotel…
PRINDLE: Bungled again…she’ll send someone after you…

I love Prindle’s little editorial comment.  (“You see, Spence—you should have let me handle it!”)

MERLIN: If she does, they won’t find Barsac alive…get that can of gasoline out of the car…
PRINDLE: What for?
MERLIN: Never mind—get it!


“Are you going to set him on fire, Boss?”  There’s a falling-down funny moment when Prindle retrieves the gas can from the car and handing it to Merlin, has his cigarette pulled out of his mouth by Spence.  (“Idiot!  You want to blow us to kingdom come?”)

“Now pour it over that car,” Spencer orders Prindle.  Prindle douses the car with petrol, and the idea is that the crooks will roll the car downhill so it will crash…everyone will think Barsac cashed in his chips while inside.  But here’s the hysterical part—Merlin strikes a match and sets the car ablaze…then the car is pushed down the incline.  (How were they able to release the brakes on the car once it had been set on fire?  Oven mitts?)

Well, you can see where this is headed—Don drives like a maniac in pursuit of Barsac…car on fire rolls downhill…nowhere to swerve…

Tuesday, January 1, 2013

The state of the blog


Happy 2013 to the Thrilling Days of Yesteryear faithful!  It wasn’t easy finding time for a sit-down to compose this post—my mistress Antenna TV rang in the New Year with reruns of Burns and Allen and The Jack Benny Show, and as I write is featuring a lineup of Three Stooges shorts during the premiere day of 2013.  This is a terribly tempting turn of events for a person who has made as one of his New Year’s resolutions a vow to clear away some of the weeds around the blog.

Over the Christmas holiday, the ‘rents and I managed to get away from the familiar environs of Rancho Yesteryear and into the North Georgia mountains for a little R&R with my sisters Kat and Debbie and their families as kind of a Christmas/50th wedding anniversary present.  (I sort of kept mum about it on the blog to avoid the possibility of an unsavory criminal element ransacking the jernt during our absence.)  We had a great deal of fun over three days, with many goodies consumed (including a snowman cake and Grape Nehi) and two amazing dinners prepared by Kat and Mom; Madre made her specialty, homemade pizza, while Kat prepared a sumptuous standing rib roast.  (Duh-rool, duh-rool…)

Being with family is great…but returning home is even better, and so upon our return I went back to work, making certain that I had the inaugural Serial Saturdays post of Don Winslow of the Navy prepared, along with another installment of Mayberry Mondays—which became the final post of 2012.  In looking over some of the past posts, I noticed that while I’ve managed to be fairly consistent in keeping those two features running (well, with one or two minor exceptions) I’ve really gotten kind of slack in maintaining a presence on the blog, save for the occasional participation in someone’s blogathon.

So although I have made this resolution in the past—and will probably break it at the first available opportunity—I’m really going to try and get some more reviews and the like up on TDOY in 2013.  In 2012, I put together 229 posts…nine more than 2011.  I can and will do better.

I got an added assist in this quest for blog excellence with a nice bit of Christmas swag: my niece Rachel bestowed upon me a Target (pronounced TAR-ZHAY) gift card that allowed me to pick up the Timeless Factory box set The Tall Man: The Complete Series at a reduced price.  I also lucked out and scored Timeless' Mr. Lucky: The Complete Series from my best friend in the blogosphere…and there are a few other goodies that have surfaced here in the House of Yesteryear, with an emphasis on silent cinema.  Finally, I need to start poring through all the films and TV shows that I have been collecting over the years and stop spending so much time in Count Comfy von Chair accomplishing nothing but strenuous eyeball rolling at the crap my father watches on TV.

While I’m dedicated to entertaining the folks who are kind enough to drop by this ‘umble scrap of the blogosphere in a regular basis…there will be occasional interruptions from time to time when deadlines for my Radio Spirits gigs loom.  But I’m going to try my darndest to make certain those are few and far between.  On with the blogging!